Television

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El objeto de este artículo es compartir el análisis de los públicos mediáticos como sujetos productivos, así como trazar las coordenadas de los modos de explotación de dichos sujetos productivos. La idea que
subyace a nuestro análisis es la existencia de una dinámica social en la que los tiempos y los espacios de la producción hibridan cada vez más con el conjunto de los tiempos y los espacios de la vida social, dibujando un ecosistema en el que el consumo mediático posee una cualidad marcadamente productiva que lo convierte en una suerte de trabajo invisible.

El presente artículo se interroga acerca de la naturaleza del guion a partir de una concepción compleja del mismo que, aun entendiéndolo como eslabón en la cadena de materiales y tareas cuyo resultado es la serie de televisión como producto final, propone considerar los guiones como productos en sí mismos. Desde este prisma, la escritura de ficción televisiva aparece como un ámbito productivo cuyo resultado puede ser definido como producto susceptible de autonomía a partir de su condición de mercancía, independientemente de su traducción a la pantalla y de su conversión en contenido audiovisual de carácter televisivo. 
Focusing on the analysis of the television series narrative in Spain, this article looks into the nature of scripts. Even though screenwriting is just a link in the chain of tasks and processes

This report is about exploration and explanations of whatever I engaged in while at work as an intern at Urban Television. It provides a summary of daily activities, challenges and solution during work. As a Television intern, there is nothing to explain more than the working experience achieved while on Television programming. On the other hand, in reference to the activities carried out while recoding in my logbook, it envisages the other work I participated in while at Urban Television.
For the two months, I managed to go through television production, field work, editing exercise and social media training. Managing the station’s social media was a challenge at first although I later managed to coordinate with my supervisor to give me skills to work well. The daily routine started at exactly 9am in the morning and closed at 7pm in the evening. I managed my time well according to my supervisor report and also the logbook can testify.
The most challenging story is when I was told collect vox pops and I dint have transport to move to the field. I managed to move around and got footage near by the work place which my supervisor appreciated later. Transport costs from home to the placement was hard to get. The university promised to send our allowances as soon as we started our internship which it did not fulfil. This led to miss calculations which I had made in as far as funding my intern was concern.
The work done throughout the internship period was all being guided by the supervisor at my internship place. With minimum supervision, the skills I obtained during the internship period are critically organized and managed skills which I can be proud of at all the time. I visited the field on many occasions and also interviewed many people about trending events that made stories in Uganda which acquainted me with firsthand information and skills.  For the matter od the fact, there is no way I could manage to operate journalistic work without learning how to approach the people to get information form then.
The entire internship exercise was done at Urban Television which is under Vision group a multimedia company. With a large category of media outlets, the internship exercise opened my eyes to many things which included news writing, voicing and program producing which I could not have achieved from any other place.

The first season of the Fox network's television show Sleepy Hollow is based on a biblical premise. This article explores how the Bible is portrayed in the series, through the lens of iconic books. It is argued that what makes books iconic is their power to “save” (“salvation”). In the case of the Bible in Sleepy Hollow, this involves representing the Bible as a grimoire. This representation only becomes clear as the use of the Bible throughout the season is surveyed in its role as a performative text.

Giriş "Ben"de olanın "diğer"inde olmadığı temelli olan ötekileştirme, farklı biçim ve içeriklerde kendini göstermeye devam ederken bunun bir formu olan; hayali bir çizgi üzerinden oluşturulmuş ve bunun üzerinden yaratılmış değerler yargısını içeren oryantalizm, Batı'nın Doğu'yu araştırma ve bu bağlamda onun üzerinde hakim olma isteğidir. Edward Said, oryantalizm üzerine yaptığı çalışmaları kitaplaştırdığı Şarkiyatçılık (1998) isimli eserinde şarkiyatçılığı, "Şarkla-Şark hakkında saptamalar yaparak, ona ilişkin görüşleri meşrulaştırarak, onu betimleyerek, öğrenerek, oraya yerleşerek, onu yöneterek-uğraşan ortak kurum olarak, kısacası Şark'a egemen olmakta, Şark'ı yeniden yapılandırmakta, Şark üzerinde yetke kurmakta kullanılan bir Batı biçemi olarak incelebilir, çözümlenebilir" (Said,1998: 13) şeklinde tanımlamaktadır. Oryantalizm ya da şarkiyatçılık Batı'nın kendini merkeze alarak oluşturduğu ve bu merkeze yaklaşıldıkça "öteki" olandan yani Doğu kavramından uzaklaşıldığına dayanmaktadır. Öteki kavramı bizden olmayanı dışarıda kalanı temsil ettiğinden söylem olarak olumsuz bir anlama sahip olmakta ve bu olumsuz söylem çeşitli kanallar aracılığıyla desteklenmektedir. Çalışmada, oryantalist söylemin Türkler'e karşı boyutu ele alınacak olup araştırmanın örneklemini oryantalist görüşün yayılmasını sağlayan Batı kaynaklı televizyon dizileri oluşturacaktır. Kitle iletişim araçlarından biri olan ancak hem görsel hem işitsel özelliğe sahip olmasından ve içinde çeşitli format-içerikleri barındırmasından dolayı diğer medya araçlarından ayrılan televizyon yine görsel kaynaklı olmasından ötürü algılanma sürecini daha hızlı gerçekleşmektedir. Kamu hizmeti özelliği olan kitle iletişim araçları bireylerin eğlenmesi, bilgilenmesi, eğitilmesi, sosyalleşmesi ve kamuoyunu oluşturmalarında önemli bir etkiye sahiptir. Bu doğrultuda, kitle iletişim araçlarıyla sıradan bir aktarım yapılmamakta

To examine the independent and joint effects of sedentary time and cardiorespiratory fitness (fitness) on all-cause mortality. A prospective study of 3141 Cooper Center Longitudinal Study participants. Participants provided information on television (TV) viewing and car time in 1982 and completed a maximal exercise test during a 1-year time frame; they were then followed until mortality or through 2010. TV viewing, car time, total sedentary time and fitness were the primary exposures and all-cause mortality was the outcome. The relationship between the exposures and outcome was examined utilising Cox proportional hazard models. A total of 581 deaths occurred over a median follow-up period of 28.7 years (SD=4.4). At baseline, participants' mean age was 45.0 years (SD=9.6), 86.5% were men and their mean body mass index was 24.6 (SD=3.0). Multivariable analyses revealed a significant linear relationship between increased fitness and lower mortality risk, even while adjusting for to...

... [23] I am grateful to Rahul Bhattacharya for information on salaries. ... [30] Quoted in Bhattacharya, unpublished article. [31] Uday Shankar, personal interview. [32] Shantanu Guha Roy, sports and business editor, Channel 7 (2005), personal interview, New Delhi, 27 Oct. 2005. ...

Wladimir Solowjow (geb. 1963) ist einer der einflussreichsten Akteure der kremltreuen Medienwelt Russlands. Er profiliert sich vor allem als ein Scharfmacher, der gegen den Westen poltert und Liberale diffamiert. Gleichzeitig appelliert er aber auch oft an die Moral und traut sich sogar, dem Präsidenten unbequeme Fragen zu stellen. Magdalena Kaltseis über die Wandlungsfähigkeit des Talkmasters.

Russische Polit-Talkshows hatten einmal den Anspruch, auch selbstkritischen innenpolitischen Diskussionen ein Forum zu bieten. Heute stehen siе für bewusst provozierte Skandale, polternde Moderatoren und politische Parteilichkeit. Magdalena Kaltseis über Ursprung, Wandel und Gegenwart eines populären russischen TV-Formats.

Informe detallado que contiene toda la información relativa al trabajo realizado por el presente alumno en la productora audiovisual Globomedia en lo referente a las prácticas externas y curriculares comprendidas en el plan de estudios correspondiente al Máster Universitario de Cine y Televisión.

La fiction d’espionnage française est réputée pour son invraisemblance et donne souvent à voir des espions brutaux, grand-guignolesques et/ou xénophobes. Tout semble avoir changé depuis avril 2015 et la diffusion sur Canal+ du Bureau des légendes, première série télévisée bénéficiant du soutien explicite de la dgse, qui a démystifié sans pour autant banaliser l’univers du renseignement. Outre son indéniable qualité narrative, la capacité de la série à renouveler entièrement l’imaginaire de l’espionnage français, balayant toutes les figures antérieures, constitue l’un de ses intérêts majeurs. La demande accrue d’informations sur les activités réelles des services français, ainsi que l’apparent « réalisme » de la série en ont fait un véritable phénomène sociétal.

Abstrak Pada artikel ilmiah ini disajikan informasi mengenai solusi praktis penanganan masalah masyarakat Indonesia yang buta hukum. Solusi tersebut adalah GSM TV. GSM TV merupakan televisi nasional tentang pembelajaran hukum yang memiliki konsep TTN (Terpercaya, Terkini dan Netral). Pemanfaatan GSM TV dapat memberikan pendidikan hukum secara gratis kepada masyarakat luas, sehingga masyarakat Indonesia tidak lagi menjadi masyarakat yang buta akan pengertian, penerapan dan tujuan hukum. Kata Kunci : hukum, GSM TV, pendidikan, masyarakat Indonesia Negara Indonesia adalah negara yang menganut sistem kedaulatan hukum, hukum di Indonesia di jadikan sebagai pusat kedaulatan yang tertinggi. Hal ini sesuai dengan pasal 28D ayat 1 Undang-Undang Dasar Negara Republik Indonesia tahun 1945 yang berbunyi "Setiap orang berhak atas pengakuan, jaminan, perlindungan, dan kepastian hukum yang adil serta perlakuan yang sama di hadapan hukum" jika mengacu pada pasal tersebut maka upaya penegakan hukum di Indonesia akan maksimal. Hukum diterapkan untuk mencapai tujuan hukum yang sesuai dengan teori etis yaitu untuk mencapai keadilan Aristoteles dalam (Wiyono, 2016). Konsep keadilan dalam hukum berati hukum diterapkan secara merata berati semua orang sama kedudukannya di hadapan hukum "equality before the law", konsep ini sesuai dengan pasal 27 ayat 1 Undang-Undang Dasar Negara Republik Indonesia tahun 1945 yang berbunyi "Segala warga negara bersama kedudukannya di dalam hukum dan pemerintahan itu dengan tidak ada kecualinya" pasal ini semakin memperjelas konsep keadilan yang berakibat pada konsistensi penegakan hukum dan perlindungan hukum. Jika melihat dari penjelasan tersebut tentunya negara Indonesia telah berupaya untuk menegakkan hukum di negara ini. Upaya penegakkan hukum akan dilakukan dengan berbagai cara baik melalui pendidikan formal maupun penjelasan hukum secara informal kepada masyarakat sehingga, masyarakat Indonesia dapat

Livestreaming has emerged as one of the most visible digital media formats in Taiwanese urban spaces, and a wide variety of mobile apps has created a thriving ecosystem of online celebrities and audiences. This presentation introduces some of the most popular livestreaming apps in Taiwan, highlights their design strategies and affordances, and describes typical livestreaming aesthetics and user practices.

Despite the centering of Walter White in scholarly and popular discourses about BREAKING BAD, and specifically in discourses about the ways in which the show is a religious text, Jesse Pinkman (Aaron Paul) could actually be seen as the true spiritual center of the show. This reframing may prove incredibly productive, as Jesse’s redemption arc is more complicated, relatable, and theologically compelling than Walter’s damnation arc. Therefore, this paper aims to present an alternate reading of BREAKING BAD—one that focuses on Jesse’s liberation rather than on Walter’s damnation; it will do so by analyzing Jesse as a spiritual and theological figure through the related lenses of soteriology, theodicy, and masculinity.