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2013, Transition Online
“Nakhchivan is so attractive because of the unpaid work of local people and absurd unwritten rules of Vasif Talibov,” said Afgan Mammadov, 51, who as a teacher at a village music school for years did unpaid work called imecilik. Each Saturday he swept streets, watered trees, or cleared away demolished buildings
Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019), 2019
Nakhichevan-on-Don is a city founded by the Russian government in 1779 on the bank of the Don River for the Armenians resettled from Crimea. Its architectural appearance reflected the trends typical of many provincial cities founded in the second half of the 18th century. stylistic trends of the 19th century came to small towns, with some delay, and the style of Art Nouveau in its purest form is rare. However, in Nakhichevan, beautiful mansions in the forms of Northern Art Nouveau were built. They were designed not by the metropolitan but by a local architect, a native of Nakhichevan. Northern Art Nouveau in the mansions of Nakhichevan is studied in the article through the prism of the cultural environment formed in the city and is revealed through the role of the architect A. Zakiev.
Humanities science current issues, 2021
The article briefly discusses the way of formation and development of the Nakhchivan architectural school, mentions the tombs, which are valuable examples of Nakhchivan architecture. Along with such issues as the history of construction, architectural design, ornamental features, the form of expression of Eastern and Turkish thought in the system of patterns, the path along which the monuments pass, their current state, the architectural structure, geometric ornament, the building materials used here, and the features of the Eastern renaissance were studied. Valuable monuments created by prominent architect Ajami Abubakr oglu Nakhchivani, who created the most valuable examples of Oriental architecture, Maragha-Nakhchivan architectural school, various types of architectural samples created under the influence of his art include Yusif Kusey oglu's tomb, Momina Khatun's tomb, Karabakh Tomb Complex The tombs are of special historical significance as well as architectural features. Numerous scientific sources also state that Noah's tomb is in the territory of Nakhchivan, and the notes of world-class western and world thinkers, who even describe the tomb built on Noah's tomb, still form the basis of scientific research. Even the activity of the Prophet Noah in the salt quarries in Nakhchivan is preserved in the legends circulating among the people. The author also notes that "Noah's tomb is located on the south side of Nakhchivan, near the remains of an ancient fortress. The current appearance of the tomb was restored in the VIII century. In its present form, the tomb resembles a small tomb rising from the ground. First there was a temple here, then it collapsed. One of the medieval tombs of Nakhchivan is Gulustan tomb. Unlike many medieval tombs, the tomb consists of a tomb and a tomb. The Gulustan mausoleum, which is one of the tower tombs, attracts attention with its unique architectural solution. The tomb of Yusuf Kuseyr oglu is one of the prominent figures of the twentieth century Azerbaijani renaissance, one of the immortal works of Ajami Nakhchivani, a genius of Oriental architecture. The tomb is a monumental historical and cultural monument embodying Turkish-Islamic values. The monument, built by Ajami Abubakr oglu in 1162, is also known as the Atababa Dome. It is clear from his inscription that the tomb was built in honor of Yusif Kuseyr oglu.
Vrindavan, a small town in the Mathura district of Uttar Pradesh, India, is a land that claims for itself a long and rich historical lineage. It is reverently placed in the Hindu textual traditions that articulate the rich diversities that have surrounded it. In the present scenario, the historical past of Braj or Brajbhoomi1 is a contested terrain for claiming ‘many’ sacred histories, featuring in the micro-histories of the lives of uncountable saints and religious traditions that both contribute and depend on Braj for claiming historicity. Although the land of Braj claims for itself a rich, ancient historical past, much of what is remembered of the town of Vrindavan carries a strong reminiscence of the prevalence of rich syncretic traditions of the subcontinent’s medieval pasts. The present paper seeks to build on a similar premise, wherein it tries to trace a cultural history of Vrindavan as articulated through the presence of a strong Gaudiya Vaishnav community in the region from medieval times. This history is corroborated by a rich legacy of textual traditions that has given way to the rise of a world of folk and oral traditions in the land of Braj and Vrindavan. The prime intent of the article is to unravel the layers of this unique ‘remembered’ past of Vrindavan and the way it has designed and sculpted the social life of the town from historical to present times.
Disucssion of the role of Hanuman in a central Indian village, based on my own fieldwork
Journal of corporate governance, insurance and risk management, 2022
The article discusses the development of school and pedagogical thought in Nakhchivan before and during autonomy. It has been established that, in Nakhchivan, which is an integral part of Azerbaijan, they always pay special attention to education and also take care of it. Studies show that before gaining autonomy in Nakhchivan, new types of urban and emergency educational institutions were created. It should be noted that, the enlightenment movements, science and education, the highest peak of the early twentieth century. During this period, an extensive network of the Nakhchivan education system was created and our people were involved in education. As a result, all the enlightenment captured in this period in Nakhchivan rose to the very high level achieved great success in science and education. Teachers in the social and economic recovery of the country of Nakhchivan stubborn struggle against the old educational system for the reconstruction of old schools. It is still not effective. The old form of training and education in the synopsis took the first steps towards a new one. Progressive changes in education in the development of Nakhichevan enlightening ideas and gave an impetus to the formation of a local educated class. At that time, the achievements of education and culture made basis for future success.
Amenhotep son of Hapu was born in the delta town of Athribis in the latter years of Thutmose III’s reign, living through the reign of a further two kings before the accession of Amenhotep III. There is little known about his life until he was approximately fifty, when he was chosen for a royal appointment as a sS ‘scribe’. His career thereafter developed rapidly, and he rose within the hierarchy of the royal administration to a position of powerful influence, becoming the king’s confidante and advisor. Rewarded by the king with an impressive mortuary temple, adjacent to the king’s own temple at Kom el-Hettan, and permission to erect statues of himself within the Karnak precinct evidences the high regard in which he was held. After death his mortuary cult developed just as his career had done. First as sS mAa xrw ‘scribe, true of voice’, Amenhotep became an intermediary between the living and gods, a healer, an oracle, and finally designated nTr mnx ‘excellent god’. This dissertation assesses how and why he attained such success in both life and posthumously through the following avenues of inquiry, using textual material and artefacts available: researching the political and cultural changes during the period of his life and those of his posthumous cult to understand what effect they had on both his career and his deification; exploration of the character of Amenhotep, what sort of a man he was in life; how he interacted with his peers; what tasks he fulfilled in his career; determine how much influence the preparations he made during his lifetime laid the foundation for his eminence after death. Finally, the qualifications for deification are explored to establish how Amenhotep son of Hapu fitted within the realm of the divine.
Mallory, J. & Stockman, G. (eds), Ulidia, 1994, 165-170
Marongedze, R., Chinouriri, B. (2022). Mtukudzi: The (Re)constructor Who Makes Others Rich?. In: Chitando, E., Mateveke, P., Nyakudya, M., Chinouriri, B. (eds) The Life and Music of Oliver Mtukudzi . Palgrave Macmillan, Cham., 2022
The Convention on Rights of the Child stipulates that it is every child's right to a name and a nationality. This is in conjunction with the universal right of making and having one's own music. Oliver Mtukudzi, the pan-Africanist, global cultural icon and the father figure in the musical arts in Zimbabwe, received many accolades because of his musical prowess and God-given talent. 'Mtukudzi' is a word from the Korekore dialect of the Shona people whose English equivalent is 'one who makes another/others rich.' While the epithet derives from the Korekore linguistic episteme, its presence in the arts industry pulsates with a global philosophy of one who makes Zimbabweans, Africans and the whole world rich. The chapter concentrates on those enriching dimensions of Mtukudzi's life and career