Academia.edu uses cookies to personalize content, tailor ads and improve the user experience. By using our site, you agree to our collection of information through the use of cookies. To learn more, view our Privacy Policy.
Academia.edu no longer supports Internet Explorer.
To browse Academia.edu and the wider internet faster and more securely, please take a few seconds to upgrade your browser.
M. Bruhn and D. Wehrs (Eds.) Cognition, Literature, and History, 2014, 229-242.
Abstract
Abstract: The aesthetic skeptic maintains that it is futile to dispute about taste. A work of art might appear beautiful to one person but repellent to another, and there is no rational basis for adjudicating these conflicting verdicts. Hume argues that the skeptic, however, moves too quickly. The crucial question is whether qualified critics will agree on their evaluations, and the skeptic fails to provide sufficient evidence that their judgments will diverge. We have reason to expect that a critical consensus will emerge over time, moreover, since our core aesthetic values are based on principles of human nature. Skeptics might doubt that there is a natural foundation for taste, but this proposal is supported by recent work in experimental aesthetics and cognitive literary theory.

Loading Preview
Sorry, preview is currently unavailable. You can download the paper by clicking the button above.