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NOTE: This course was last taught in 2017. Much new work has come out on the history of plague and the late medieval pandemic since then, some of it overturning long-held truisms. Please consult my "Plague Studies" tab and the general bibliography, "The Mother of All Pandemics" for the most recent work in the field. Herewith is the final version of my syllabus for my undergraduate course, "The Black Death: Pandemic Disease in the Medieval World." The course actually teaches the whole global history of plague, from the earliest period it effected human societies (currently, the Bronze Age) up to its global presence in the world today. The course combines the latest scientific knowledge on plague, including molecular retrievals of *Yersinia pestis* from historical remains, with traditional historical documentation to understand the full impact of the pandemic waves of plague. Further details on my teaching method can be found in this blog post from 2015: https://mip-archumanitiespress.org/blog/2015/08/27/teaching-the-new-paradigm-in-black-death-studies/. The volume, *Pandemic Disease in the Medieval World: Rethinking the Black Death*, inaugural issue of The Medieval Globe 1, no. 1-2 (Fall 2014), is available open-access here: http://scholarworks.wmich.edu/medieval_globe/1.
NOTE: This course was last taught in 2017. Much new work has come out on the history of plague and the late medieval pandemic since then, some of it overturning long-held truisms. Please consult my "Plague Studies" tab and the general bibliography, "The Mother of All Pandemics" for the most recent work in the field. These readings supplement the main Syllabus for my course, "The Black Death: Pandemic Disease in the Medieval World." The students are divided into groups at the beginning of the semester and work collaboratively for the rest of the semester. The Group Readings form the basis for the special presentations they make to the rest of the class. The Group projects allow them to go deep into specific topics for a short period of time, and will, it is hoped, expose them to both primary sources and secondary sources they can use for their research projects. The ten groups this year are as follows: - The Invisible Origins of the Second Pandemic: The Qinghai-Tibet Plateau - Plague Lies in Wait: What Was the Mechanism of Spread into Central Eurasia? - Plague Reaches the Islamicate World - Plague in Southern Europe: Initial Impact - Religion, Politics, and Catastrophe: The Black Death and the Jews - Plague in Northern Europe (England) - Plague in Northern Europe (Beyond England) - Plague and the Great Transition: Living in a Cold, Diseased World - Plague Shapes the Early Modern World - Plague Becomes a Global Disease: The Third Pandemic -
2009, History Compass
"Failed Ritual? Medieval Papal Funerals and the Death of Clement VI (1352)," " in Histories of Post-Mortem Contagion: Infectious Corpses and Contested Burials, ed. Christos Lynteris, and Nicholas Evans (London: Palgrave Macmillan, 2017), 27-53.
In the colonial theater of New Spain, multiple actors utilized the rhetoric of disease to discuss and describe the ongoing discoveries of indigenous traditional religion, which they termed idolatry. Focusing primarily on Yucatán, this article closely analyzes these usages, arguing that the two primary modes of understanding the spread of illness in the early modern world, that of miasmic factors and that of contagion, provided rationalizations for the perseverance of idolatrous practices, informed the institutionalized prevention of these heretical acts, and ultimately provided models for their possible cure. As the definition of idolatry was expanded to include all religious crimes committed by New Spain's indigenous population, it was severed from the material aspect (idol worship) that had originally defined it. The result was the conceptual conflation of two of the defining characteristics of early colonial experience: epidemic disease and ongoing idolatries.
2020, Journal of Peoples' History and Culture, Vol.6, ISSN 2395-7379, 2020, pp.139-155.
2012
This is the syllabus for the National Endowment for the Humanities (NEH) Seminar that was run in London in 2012. Designed and taught by Monica H. Green and Rachel E. Scott, the Seminar was designed as an introduction to medieval history of medicine for scholars who hadn't received advanced training in the field, but wanted to incorporate its insights into their work. Participants included not only historians, but a physical anthropologist, literature scholars, and other humanists. It was a life-changing experience for us all!
http://www.public.asu.edu/~mhgreen/healthanddisease2012/index.html “Health and Disease in the Middle Ages” was a five-week Seminar for College and University Teachers held June 24-July 28, 2012, in London, England. Based at the Wellcome Library—the world's premier research center for medical history—this Seminar gathered scholars from across the disciplines interested in questions of health, disease, and disability in medieval Europe. Support for this Seminar came from the National Endowment for the Humanities (NEH) and the Arizona Center for Medieval and Renaissance Studies (ACMRS). We explored how the new scientific technologies of identifying pathogens (particularly leprosy and plague) could inform traditional, humanistic methods (historical, literary, art historical, and linguistic) of understanding cultural responses to disease and disability. Reciprocally, we also explored how traditional, humanistic studies of medieval medicine could inform modern scientific studies of disease, which were developing at a rapid pace thanks to new methods of DNA retrieval and analysis. Special emphasis wasmplaced on assisting participants with independent research projects relating to the History of Medicine, especially—but not restricted to—those based on unpublished primary sources.
2019, Civilisations: collapse and regeneration: addressing the nature of change and transformation in history, Miroslav Bárta, Martin Kovář (eds.)
In this essay we will first explain the history of the term “epidemic” and its long term companion “plague”. Our goal is to demonstrate that, in the past, there was no clear division between these two words and that modern understanding of plague as a specific disease with a clearly defined pathological agent cannot be applied within a historical context. In the second part, we will suggest three frameworks, in which we can analyze the emergence of epidemics or plagues. The first one is paleopathological (i.e. since what time do we detect traces of infectious agents in human remains); the second framework is cultural (which narratives mark the oldest and most devastating epidemiological crises), and the third one is bio-medical (when was the cause of plague as well as other infectious diseases discovered by modern medicine). The third part of this paper will present a short list of some of the most important biological pathogens (plague, leprosy, TB, syphilis, smallpox, HIV, flu) and put them into a chronological perspective.
A study of the positive aftermath of the infamous Black Death.
The purpose of this paper is to determine the multiple functions of works of art created during outbreaks of plague in Europe, and whether those functions were intended by artists during creation, or if the people adapted the pieces to their own uses. Beyond decoration, plague-era art utilized new and established symbols that carried messages for the people, including religious themes of comfort, hope, wrath, and appeasement, diagnosis and treatment of plague, and possible sources of infection, including miasma theory and scape-goating of the Jews. Cultural analysis shows how, in their frame of reference, medieval and renaissance people could believe in the power of driving out negative thoughts which could lead to plague. Research shows that works of art served multiple purposes for societies that experienced plague, and supports the thesis that many of those functions were intended by artists creating the pieces.
2005, History and philosophy of the life sciences
This paper summarizes Grmek's theoretical contribution to history of disease and explores to what extent the longue durée could still be a useful concept in order to better understand past perceptions of, and reactions to, diseases. The case of the medical responses to epidemic disease in pre-industrial Europe is synthetically expounded in order to illustrate this issue.
Plague was a harsh trial for early modern communities. Responding to he heavy toll of sickness and death presented tough ethical problems: Who must act? What risks must they accept? This paper examines the role and obligations of English medical practitioners during epidemics. It focuses on the key question of whether they should stay to treat the sick or could flee to safety. Historians have often condemned doctors who fled, assuming that this was equally unacceptable to contemporaries. However, such assumptions are mistaken. While magistrates and clergymen were expected to remain, medical practitioners had no special obligation to stay. Physicians’ lack of specific duties reflected their economic and social position as private practitioners, and the acknowledged limits of medicine itself. At times, however, some English medical practitioners did claim special responsibilities during plagues. But this was rare, and usually related to disputes over medical regulation in London. During and after the 1665 epidemic, in particular, plague became a theme in disputes between irregular practitioners, especially chemical physicians, and the London College of Physicians. Irregular practitioners had long sought to use plagues for self-promotion and legitimisation. Now, some attempted to overturn the College’s monopoly on medical practice on the same basis. To do so, they constructed an image of the epidemic as a medical emergency and a test of ability, courage and charity. To understand these claims, we need to set them against the political, economic and legal framework of medical regulation. Epidemics thus reveal the limits of early modern medical practitioners’ status, and the historical and political fluidity of medical ethics.
2011, Jewish Studies Quarterly
Entire inaugural issue of <The Medieval Globe>, "Rethinking the Black Death" is available online at: http://scholarworks.wmich.edu/medieval_globe/1/
2021, Historical Notes #1
The plague pandemic that hit central and western Asia, the Mediterranean societies and western and northern Europe in the middle of the 14th century features in all present-day historical narratives of chemical and biological warfare. To many writers those events underscore the potential of massive destruction in terms of both human and economic losses to societies. They also tend to ascribe the pandemic’s origin to a specific deed, namely the catapulting of diseased bodies into the Crimean town of Caffa by Mongol besiegers in 1346. Fleeing citizens carried what became known as the ‘Black Death’ to Mediterranean ports from where it spread throughout continental Europe and North Africa. The pandemic may have killed up to two-thirds of the European population. Reconstruction of circumstances surrounding this allegation of historical biological warfare is challenging. For instance, was the medieval pandemic caused by the plague, and if not, what are the implications for the narrative of biological warfare? In the final years of the 20th century some authors began questioning whether ‘plague’ in the sense of the disease caused by the Yersinia pestis bacterium was responsible for the medieval pandemic and subsequent outbreaks. The scepticism was not new: several 18th and 19th-century writers had already noted divergencies in descriptions of symptoms as recorded in different places or times. However, it faded with the discovery of the causative bacterium and the roles played by rats and fleas in the plague ecology and transmission. This breakup of the early 20th-century consensus pitted academics from multiple disciplines against each other for more than a decade. Advancements in molecular biology, genome studies and paleobiology combined with new approaches to studying contemporary records and narratives opened a possible path towards a new consensus. Yet, fresh findings in the late 2010s, such as strong pointers to an extinct strain of Yersinia pestis in an old southern French reservoir, may once more challenge accepted and emerging narratives of the medieval plague. Notwithstanding, all new evidence in these debates invites reconsideration of the Black Death’s biological warfare origins. It increasingly appears likely that a fast-spreading pestilence overtook Caffa and its environs. While the new insights may have mooted the biological warfare question, writers broadly referencing the history of biological weapon use are given to mentioning the Caffa siege in passing. This comes because the contextual factors of the siege of Caffa, the tactics deployed by the Mongols and the city defenders, or the military hardware in the field have not been subjected to the same level of scrutiny as the biological origins of the pandemic. Mark Wheelis, a professor in microbiology, seems to have written the final consolidative view on events in the Late Middle Ages in 2002. Considering the scientific debate on the plague’s origins, he concluded that ‘the claim that biological warfare was used at Caffa is plausible and provides the best explanation of the entry of plague into the city. This theory is consistent with the technology of the times and with contemporary notions of disease causation; however, the entry of plague into Europe from the Crimea likely occurred independent of this event’. In an earlier chapter on biological warfare before the First World War, he described in more detail other incidents involving the projection of human bodies and animal carcasses over fortifications during medieval and early modern age sieges in Europe, thereby lending additional credence to the overall Caffa narrative while being critical of certain specific claims. This first issue of Historical Notes explores the origin of the biological warfare allegation involving plague-infested corpses catapulted over the walls of Caffa. The working paper forms part of a chapter on chemical and biological warfare from the Middle Ages until the end of the 18th century in a broader ongoing historical study.
2011
ABSTRACT: This PdD thesis examines prose prologues to medical texts written or copied in the 15th century. The study has two overall objectives: 1) to create a corpus of all the unedited prologues of this nature in the Sloane Collection of the British Library in London, according to Voigts & Kurtz: Scientific and Medical Writings in Old and Middle English: An Electronic Reference (2000); and 2) to provide an introduction to the medical prologues in the corpus including codicological information, text affiliation, sources and dialects. In addition, the structure, form and content of the prologues selected for this study are discussed in an original analysis. The purpose of this thesis is to fill a void in the academic literature on prologues to medical texts in late Middle English, as indicated by Voigts (1982: 54).
2017, Epidémies et sociétés, passé, présent et futur, édition préparée par Bernardino Fantini, Edizioni ETS, Pisa
2020, Rivista Trimestrale di Scienza dell'Amministrazione
This review offers an overview of several devastating historical epidemics and pandemics. The first pandemic ravaging the Middle East and Ancient Egypt was an unidentified “plague” in the late Bronze Age. The plague of Athens was apparently “only” a local epidemic but with fatal consequences for that ancient democracy. Great empires with well-developed trade routes seem to be very susceptible to rapid and devastating spreads as the Antonine Plague, the Plague of Cyprian and the Justinian Plague testify. The great Medieval plague wave in Europe was absolutely devastating, but for the first time it brought along with it substantial containment measures that are still being successfully used today (e.g. isolation, quarantine) as well as the seeds of the development of a new form of medical theory and practice. The blame game that can be observed in the current COVID-19 pandemic has also been seen in previous epidemics and pandemics. Particularly in the case of syphilis, its origin was often attributed to foreign countries. Finally, the paper comparatively stresses the historical importance of an early implementation of a lockdown-based approach as an effective form of controlling epidemic spreads.
2018
This bibliographies are by no means exhaustive lists, but are meant to provide an overview of the types of books and articles available for your use. Please feel free to implement them into your current research.
Proposes a hypothesis for the spread of the plague in Europe from the 14th century onwards. The hypothesis is a revised miasma theory, and the means to test it is outlined in the paper. Hypothesis: In 1348-53, and later, Yersinia Pestis was transported across 'microbial highways' in the troposhere and stratosphere, thus reaching areas of Europe that the black rat could not reach. This mechanism supplements transmission by R.rattus and the X. cheopsis.
2004, The Art Bulletin
... In the years leading up to The Plague ofAshdod, Cassiano corresponded with the physician and chemist Pierre Potier (also known as Pierre de la Poterie or Petrus Poterius, 1581?- 1643?) to obtain a remedy for Poussin&amp;amp;amp;amp;amp;#x27;s ailment, finally in-sisting on the mercury treatment that ...
2020, Rivista Trimestrale Di Scienza Dell’Amministrazione 2:
This review offers an overview of several devastating historical epidemics and pandemics. The first pandemic ravaging the Middle East and Ancient Egypt was an unidentified "plague" in the late Bronze Age. The plague of Athens was apparently "only" a local epidemic but with fatal consequences for that ancient democracy. Great empires with well-developed trade routes seem to be very susceptible to rapid and devastating spreads as the Antonine Plague, the Plague of Cyprian and the Justinian Plague testify. The great Medieval plague wave in Europe was absolutely devastating, but for the first time it brought along with it substantial containment measures that are still being successfully used today (e.g. isolation, quarantine) as well as the seeds of the development of a new form of medical theory and practice. The blame game that can be observed in the current COVID-19 pandemic has also been seen in previous epidemics and pandemics. Particularly in the case of syphilis, its origin was often attributed to foreign countries. Finally, the paper comparatively stresses the historical importance of an early implementation of a lockdown-based approach as an effective form of controlling epidemic spreads. Riassunto. Le epidemie e le pandemie nella storia dell'umanità e la maniera tenuta dai governi nel gestirle. Una review dall'Età del Bronzo alla prima Età moderna Questa rassegna offre una panoramica su diverse devastanti epidemie e pandemie nella storia. La prima pandemia che ha devastato il Medio Oriente e l'antico Egitto è stata una "peste" non ancora identificata alla fine dell'Età del Bronzo. La Peste di Atene fu apparentemente "solo" un'epidemia locale, ma con conseguenze fatali per l'antica democrazia. Grandi imperi con vie commerciali ben sviluppate sembrano essere molto suscettibili alla rapida e devastante diffusione epidemica, come testimoniano la Peste Antonina, la Peste di Cipriano e la Peste di Giustiniano. La grande ondata epidemica di peste nell'Europa medievale si è rivelata assolutamente devastante, ma per la prima volta ha portato con sé sostanziali misure di contenimento che ancora oggi vengono utilizzate con successo (ad es. isolamento, quarantena) e lo sviluppo di una nuova forma di teoria e pratica medica. Il gioco dell'incolparsi vicendevolmente che si può osservare nell'attuale pandemia di COVID-19 può, inoltre, essere osservato anche nelle precedenti epidemie e pandemie. In particolare nel caso della sifilide, l'origine del morbo era spesso attribuita a nazioni straniere. L'articolo, infine, sottolinea in maniera comparativa l'importanza storica dell'applicazione precoce di un approccio basato sul confinamento quale forma di di efficace forma di controllo delle diffusioni epidemiche.
2014
The concept of “the medieval” has long been essential to global impe rial ventures, national ideologies, and the discourse of modernity. And yet the projects enabled by this powerful construct have essentially hindered investiga tion of the world’s interconnected territories during a millennium of movement and exchange. The mission of The Medieval Globe is to reclaim this “middle age” and to place it at the center of global studies.
Renaissance poet and physician Girolamo Fracastoro (1478–1553) coined the neologism “syphilis” in the first poem that fictionalizes Columbus's voyage to the New World. Syphilis sive Morbus Gallicus (1530) captures, as this article shows, the bonds among poetic, philological, and medical discoveries as an unprecedented inquiry into the emerging discipline of immunology. A unique hinge between poetics and medicine as well as between ancient and modern languages, the poem takes the shape of a powerful philological intervention that is here called immunopoetics. An immunopoetic look at Syphilis not only underscores Fracastoro's crucial role in the history of immunitas, a juridical term that acquired, from the Renaissance on, an increasingly medical connotation and meaning. It also offers a new etymology for the word syphilis, which has hitherto remained obscure.
2019
This paper investigates the role of the Black Death in developing England’s eating habits and culinary traditions. The mid-fourteenth century saw a marked change in English cuisine, change that traversed the classes. This change correlates with the timing of the Black Death, an episode of extreme mortality cause by bubonic plague. Notorious as the greatest single source of death across medieval Europe, the Black Death looms in modern minds as an unparalleled tragedy. Between 1348 to 1350, the Black Death swept across Europe and killed between one third and one half of the population. England endured an average of forty percent population loss, seemingly turning society upside down as manors and fields were neglected. However, two interesting phenomena occurred following the Black Death that had repercussions for centuries: the proportion of livestock to farmed land increased dramatically, and the peasant classes gained better wages and unprecedented mobility leading to a demand for ...
2021, Arts et Savoirs
At the crossroads of translation, cultural exchange, humanistic rhetoric, the medical schools of Italy and France, printing, and transnational conversations, Opera Mesuae represents a paradigm of Renaissance medical anthropology. In comparing a number of entries by Giovanni Manardo and Jacques Dubois (Sylvius), I propose to situate this work in the quarrel of the simples aimed at reassessing the contributions of the Arab world to early modern science and medicine.
2011
Geography, contagion, and the element of air have historically overlapped in interesting ways and, as this article demonstrates, they continue to do so. By tracing metaphors of air, wind, miasma, and contagion through literary works that span nearly three centuries, I argue that the element of air tends to signify, in cultural expression, a more ambiguous, affective form of contagion that is also bound up with the spread of ideas and information.
2017, NYU English Masters Thesis
Despite the widespread suffering caused by the Black Death in England from 1347-1351, few contemporary accounts of the plague or descriptions of plague bodies themselves survive. However, the absence of explicit representation should not be taken as an absence of widespread psychological effect on the medieval population; rather, the scars and anxieties of the plague very much marred the individual and collective psyche of plague survivors as it did their bodies: we just need to know where to look for them. This paper undertakes a search for representations of plague anxiety, for the ways that literature registered-- implicitly and explicitly-- the deep-seated trauma and cultural anxiety resulting from the Black Death from the mid to late 14th century; specifically, it reexamines bodies represented in 14th century devotional and literary texts as bodies suffering from the physical and psychological ravages of The Black Death. Sometimes plague is the overt subject of the text, as in Langland’s Piers Plowman. In other cases, such as Chaucer’s “Pardoner’s Tale,” plague is not named, but represented obliquely through a common set of metaphors. In some instances, trauma is revealed in the description of physical manifestations of sinfulness, as in the Dead Sea’s striking resemblance to a plague bubo in the Pearl Poet’s “Cleanness,” or as the crucified body of Christ resembles a plague-ridden body in Julian of Norwich’s Showings. By reexamining these texts through the lens of plague anxiety, we can see the influence plague-ridden bodies had on late 14th century Britons.
As urban communities in Western Europe mushroomed from the twelfth century onward, authorities promptly responded with a plethora of regulations to facilitate, at least in theory, the orderly cohabitation of dwellers within the city walls. Many of these rules concerned public health matters, such as the disposal of waste, the protection of water supplies, and the sale of wholesome foodstuffs. In some cases, sanitary regulations drew from Ancient Greek and especially Galenic medical theory, which stressed the importance of a hygienic environment in safeguarding the urban body from disease. The effective execution of such measures relied in part on the active engagement and compliance of the population. Shared assumptions regarding physical and spiritual well-being, social cohesion, neighbourliness, and economic prosperity, as well as the pursuit of ideals of urbanity, fed into communal efforts to police the environment, the behaviour of others, and the conduct of the self. Nonetheles...
In: Hope and Healing: Painting in Italy in a Time of Plague, 1500-1800, eds. G. Bailey, P. Jones, F. Mormando and T. Worcester. Exhibition catalogue, Worcester Art Museum, 2005; distributed by the University of Chicago Press.
inaugural issue of THE MEDIEVAL GLOBE
Disaster, Death and the Emotions in the Shadow of the Apocalypse, 1400-1700, eds Jennifer Spinks and Charles Zika (London: Palgrave, 2016), 177-99
This essay investigates reactions to the recurring disaster of bubonic plague by analysing a series of miniatures in the chronicle of Lucchese apothecary Giovanni Sercambi. Completed in 1400, the richly illustrated manuscript (Lucca, Archivio di Stato, ms. 107) records seven epidemics, from the Black Death to the century’s end. Demons or angels are shown unleashing the disease on helpless humanity. Amongst the earliest visual evocations of the experience of plague, the drawings offer key insights into early modern responses to this most fearsome of disasters, articulating contemporary understandings of plague’s supernatural causes and terrestrial effects, and the emotional regimes elicited in response. Examined individually and as unfolding sequence, set against and interacting with the surrounding text, the miniatures fulfil a range of commemorative, hortatory and cathartic functions.