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AI-generated Abstract
The paper discusses Dziga Vertov's film "Kino-Eye" as a culmination of his earlier work in the "Kino-Pravda" series, emphasizing its experimental nature and its reflections on authorship and mass participation in cinema. It explores Vertov's intentions to create a documentary form that integrates the activities of the Young Pioneers, while simultaneously critiquing the traditional roles of filmmakers as directors and authors. The analysis reveals how "Kino-Eye" navigates the tension between collective authorship and individual artistic vision, ultimately positioning itself within the larger discourse of Soviet revolutionary cinema.

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