"Man with a Movie Camera: An Introduction"
John MacKayAI-generated Abstract
The paper explores the theoretical challenges and historical context of Dziga Vertov's film "Man with a Movie Camera." It discusses the tension between documentary realism and cinematic experimentation, highlighting Vertov's innovative editing techniques and the socio-cultural implications of the film's production during the early Soviet period. Additionally, the author reflects on the influence of economic theories on Vertov's artistic approach and examines the significance of the film within the broader landscape of cinema.
