Performance Practice (Music)

Laurence Dreyfus

University of Oxford

Faculty Member

Music Department

Eroticism, Interpretation, J S Bach, and Literature and Music

Luk Vaes

Orpheus Institute

Faculty Member

DocARTES Department

Artistic Research, Keyboard Instruments, Music, and Organ And Historical Keyboards (E.G., Harpsichord)

James Mooney

The University of Leeds

Department Member

Music Department

Acousmatic, Affordance Theory, Affordances, and Aural Architecture

Sarah Potter

The University of Leeds

Graduate Student

Music Department

Baroque Music, British Music, Church Music, and Classical Music

Simon Desbruslais

University of Oxford

Graduate Student

Musicology Department

Baroque Trumpet, Counterpoint, Georg Philipp Telemann, and Music History

Aisling Kenny

National University of Ireland, Maynooth

Department Member

Music Department

Art Song, Josephine Lang (1815-1880), Music, and Music Education

Morton Wan

University of Oxford

Graduate Student

Music Department

Beethoven, Critical Theory, Interpretation, and Music Theory and Music Analysis

Päivi Järviö

Sibelius Academy

Post-Doc

DocMus Department for Music Performance and Research

Breath - Body - Voice, Embodied musical experience, Music and the Body, and Phenomenology of the body

Don Fader

University of Alabama - Tuscaloosa

Faculty Member

School of Music

17th Century Music, Baroque Music, Early Modern France, and Early Modern History

Peter Wilby

Birmingham City University

Faculty Member

Birmingham School of Media

Alternative-Popular Folk, Cultural Musicology, Folk Music, and Identities (Music)

Katharina Uhde

Duke University

Graduate Student

Music Department

Bach, C P E Bach, Early Music, and Eighteenth-Century Music

Lauren Jennings

University of Southern California

Post-Doc

Musicology Department

Ars nova, Codicology of medieval manuscripts, Early Modern Italian Literature, and Early Music

Arnulf Christian Mattes

University of Oslo

Post-Doc

Musicology Department

20th Century European Modernism, Adorno's Philosophy of Music, Arnold Schoenberg, and Early 20th-century Music

Daniel Bangert

The University of New South Wales

Graduate Student

School of Arts and Media

Music Psychology, Performance Practice (Music), Performance Studies (Music), and Baroque Music

Dario Lo Cicero

Conservatorio di musica Vincenzo Bellini, Palermo

Faculty Member

Biblioteca Department

Early Music, Fluxus, Microtonaility, and Microtonal Music

Jennifer Turbes

University of Rochester

Alumnus

Eastman School of Music

Folk Music, Hardanger Fiddle, Hardingfele, and Learning Styles

Lisa Beebe

University of California, Santa Cruz

Graduate Student

Music Department

17th Century Music, Baroque Music, Chanson, and Critical Musicology

Richard Graham

University of Ulster

Graduate Student

School of Creative Arts

Arduino, Auditory Perception, Computer Music, and Early Music

Emilie Amrein

Lake Forest College

Faculty Member

Music Department

Choral Music, Conducting, Conducting techniques and approaches, and Critical Musicology

Kate Rogers

University of Oregon

Graduate Student

School of Music and Dance

17th Century Music, Ethnomusicology, Oral Traditions, and Performance Practice (Music)

Patrick Bonczyk

Michigan State University

Graduate Student

Music Department

Musicology, Baroque Music, Gender and Sexuality, and Performance Practice (Music)

Brendan Smyly

University of Western Sydney

Graduate Student

Music Department

Computer Music, Contemporary Music, Electroacoustic Music, and Experimental Music

Milijana Pavlović

Aesthetics (Music), Conducting techniques and approaches, Critical Musicology, and Fin de siècle Vienna

Sheila Guymer

University of Cambridge

Graduate Student

Music Department

Analysis of recorded performance practice, Music, Performance Practice (Music), and Pianists and Piano Literature

Molly Jaynes

University of Rochester

Graduate Student

Pathology Department

Motor Control, Musicians, Musicians' Health, and Performance Practice (Music)
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