Music Criticism

Paul Attinello

Newcastle University

Faculty Member

Music Department

Adorno, Aesthetics, Avant-Garde theatre, and Critical Theory

Derek B Scott

The University of Leeds

Faculty Member

Music Department

Aesthetics, Music, Music Criticism, and Music History

Lauren Redhead

The University of Leeds

Graduate Student

Music Department

Acoustics, Analytic Philosophy, Art History, and Composition (Music)

Hans Walter Gabler

Ludwig-Maximilians-Universität München

Emeritus

Department of English

19th Century British novel, Digital Editing, Editorial theory, and English 16th and 17th century literature and drama

Roddy Hawkins

The University of Manchester

Department Member

Music Department

Academia Research, Adorno, Aesthetics, and Bibliography

Jonathan Neufeld

College of Charleston

Faculty Member

Philosophy Department

Aesthetics, Aesthetics and Politics, Music and Politics, and Philosophy

Rebekah Ahrendt

Tufts University

Post-Doc

Music Department

Baroque Music, Baroque opera, Early Music, and Electronic Dance Music Culture (EDMC)

Konstantinos Kardamis

Ionian University

Faculty Member

Department of Music Studies

Anthropology of Music, Balkan History, Brass Band, and Brass Instruments

Nanette Nielsen

University of Nottingham

Faculty Member

Music Department

Aesthetics, Continental Philosophy, Ethics, and Film Music And Sound

Adam Ferguson

The University of Leeds

Graduate Student

Music Department

Composition (Music), Conducting, Electroacoustic Music, and Film Music And Sound

Simone Varriale

University of Warwick

Graduate Student

Sociology Department

Culture, Media, Music, and Biopic

Uri Golomb

Cambridge Alumni

Department Member

Faculty of Music

Bach, Baroque Music, Choral Music, and Church Music

John McGrath

University of Liverpool

Graduate Student

School of Music

Aesthetics (Music), Musicology, Samuel Beckett, and Word and Music Studies

Thiago Cazarim

Universidade Federal de Goiás

Faculty Member

Faculdade de Filosofia Department

12-tone Composition, Accompanying Music, Adorno, and Aesthetics

Anne Margaret Hyland

Dundalk Institute of Technology

Faculty Member

Section of Music Department

19th Century Central Europe, History of music theory (Music), Music, and Music Criticism

Edward Caine

University of York

Graduate Student

Music Department

12-tone Composition, Accompanying Music, Algorithmic Composition, and Arts Administration (Specializing In Music)

John Fallas

20th and 21st-Century Music, 20th/21st Century Vocal music, British Music, and Contemporary Music

Ju-Lee Hong

Goldsmiths, University of London

Graduate Student

Music Department

Cello, Empirical Musicology, Interpretation, and Listening (Music)

Jeremy Coleman

King's College London

Graduate Student

Music Department

Manuscript Studies, Medieval Music Theory, Music, and Music Criticism

Nicole Grimes

University of California, Irvine

Faculty Member

Department of Music

Brahms, German Romanticism, German Studies, and Hanslick

Sanna Pederson

University of Oklahoma

Faculty Member

Music Department

Music Aesthetics, Music Criticism, Music History, and Nineteenth-Century Music

Erinn Elizabeth Knyt

University of Massachusetts Amherst

Faculty Member

Music Department

History of Musicology, History of music theory (Music), Humanities, and Music

Jason R. D'Aoust

The University of Western Ontario

Graduate Student

Centre for the Study of Theory and Criticism

Aesthetics, Castrati, Digital Media, and History Of Psychoanalysis

Laura Watson

National University of Ireland, Maynooth

Faculty Member

Music Department

French Studies, Gender Studies, History of Popular Music, and Literature and Music
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