Creative Misuse of Technology

Mary Fogarty

York University

Faculty Member

Dance Department

Aesthetics, Cultural Sociology, Dance Education, and Music

Francesca Spiegel

Yale University

Alumnus

Classics Department

Digital Humanities, Greek Tragedy, History of Ideas, and History of Scholarship

Ewan Stefani

The University of Leeds

Faculty Member

Music Department

Algorithmic Composition, Audio Signal Processing, Composition (Music), and Computer Music

Margie Borschke

The University of New South Wales

PhD Candidate & Sessional Lecturer

Journalism and Media Research Centre

Audience and Reception Studies, Auditory Culture, Composition and Rhetoric, and Copies

Andrew Hugill

De Montfort University

Faculty Member

Institute of Creative Technologies (IOCT)

Composition (Music), Computer Music, Contemporary Music, and Creative Industries

Dr Hillegonda Rietveld

London South Bank University

Faculty Member

Centre for Media and Culture Research

Affect Studies, Anthropology of Mobility, Anthropology of Technology, and Anthropology of space

Lauren Hayes

University of Edinburgh

Graduate Student

Music Department

Computer Music, Creative Misuse of Technology, Digital Composition, and Experimental Music

Andrew Lewis

Bangor University

Faculty Member

Music Department

3-D Music, Acousmatic, Composition (Music), and Computer Music

Simon Zagorski-Thomas

University of West London

Faculty Member

London College of Music

Commercial Music, Composition (Music), Computer Music, and Creative Misuse of Technology

Edward Caine

University of York

Graduate Student

Music Department

12-tone Composition, Accompanying Music, Algorithmic Composition, and Arts Administration (Specializing In Music)

Sean Albiez

Southampton Solent University

Faculty Member

Faculty of Media, Arts and Society

Electronic Dance Music Culture (EDMC), Electronic Music, Electronica, and Experimental Music

Kerry Hagan

University of Limerick

Faculty Member

Computer Science and Information Systems Department

Acoustic Engineering, Acoustics, Algorithmic Composition, and Audio Engineering

Michael DaCosta Babb

Universidade Católica Portuguesa

Faculty Member

School of Arts

19th Century French (Literature), Advertising, Architecture, and Art

Allan Seago

London Metropolitan University

Faculty Member

Art, Media and Design Department

Algorithmic Composition, Artificial Intelligence, Creative Misuse of Technology, and History Of Electroacoustic Music

Matthew Sansom

University of Surrey

Faculty Member

Music and Sound Recording Department

Art Practice as Research, Audio And Radio Arts, Composition (Music), and Computer Music

Karen Lauke

Edge Hill University

Faculty Member

Performing Arts Department

Acousmatic, Aesthetics (Music), Architecture, and Art

Maralie Armstrong

Rhode Island School of Design

Graduate Student

Digital Media Department

Art of Africa, Community-based art, performance and dialogue, Computer Mediated Communication, and Creative Misuse of Technology

Deanna Peluso

Simon Fraser University

Graduate Student

Faculty of Education

Arts Education, Convergence Culture, Education, and Media Literacy

Mark Nelson

University of Wisconsin-Madison

Faculty Member

Design Studies Department

"New" senses in art: touch, smell, taste, - CAAD,Generative design, 3-D Music, and Aleegorical, Narrative and Rhetorical Architecture

Tildy Bayar

University of California, San Diego

Graduate Student

Music Department

Aesthetics Of Nature, Creative Misuse of Technology, Cultural Studies, and Dead Media

Anne Stewart

University of Oregon

Undergraduate

English Department

Adult User Groups, Non Traditional Students And Libraries, Net Generation And Libraries, American Fiction 1980 - present, Apocalypticism In Literature, and British Women Writers

Meredith Arnold

University of St Andrews

Graduate Student

Management Department

Creative Industries, Creative Misuse of Technology, Cultural Sociology, and Live Music

Mark Everetts

University of Saint Francis

Faculty Member

Music Technology Department

Commercial Music, Creative Misuse of Technology, Cyber Aesthetics, and Music Cognition

Mat Flynn

Liverpool Institute for Performing Arts (LIPA)

Faculty Member

Music Department

Attention, Attention Economics, Attentional Capture, and Auditory Attention
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