Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research

Kit Hammonds

Royal College of Art

Faculty Member

Curating Contemporary Art Department

Artistic Research, Artists' Books, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Contemporary Art

Ceren Ozpinar

Istanbul Bilgi University

Faculty Member

Art Management Department

Art History, Arts Management, Arts Policy, and Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research

Maria del Mar Gonzalez-Gonzalez

University of Illinois at Urbana-Champaign

Graduate Student

Art History Department

American History, Area Studies, Art, and Art History

Maria de Fatima Lambert

Instituto Politecnico do Porto

Faculty Member

Estudos Culturais e Socias Department

Aesthetics, Art Criticism, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Cinema

Barnaby Drabble

ECAV - Ecole Cantonale d'Art du Valais, Sierre

Faculty Member

MAPS - Arts in Public Spheres Department

Art Practice as Research, Curating, Public Art, and Art Theory

Federica Martini

ECAV - Ecole Cantonale d'Art du Valais, Sierre

Faculty Member

MAPS - Arts in Public Spheres Department

American Literature, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, Public Art, and Art Practice as Research

Francesca Dal Lago

Collège de France

Department Member

Centre de recherche sur les civilisations de l'Asie orientale

art history, China, modern and contemporary art, history of graphic design, propaganda art, museum and display studies., African Studies, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Exhibition, Museum, Expositions and Worlds Fairs

Thomas Steller

Universität Bielefeld

Graduate Student

Bielefeld Graduate School in History and Sociology

Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, Cultural History, German History, and History

Barbara Pezzini

1900-1910 Art Press, Art Criticism, British Art in the 1920s and 1930s, and Burlington Magazine - Early History

Ana Bogdanovic

Humboldt Universität zu Berlin

Graduate Student

Institute of Art and Visual History

Art Criticism, Art and Violence, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Memory Studies

Liza German

National Academy of Fine arts and architecture (Kyiv, Ukraine)

Graduate Student

Theory and History of Arts Department

ART HISTORY, POST-WAR ART, CONTEMPORARY GREEK ART, HISTORY OF EXHIBITIONS, EXHIBITIONS AND MUSEUMS, Art Locale Evolution--continually emerging new "places" for art exhibition/encounter, Art and design history and theory; Museums and curating; Art and business; Corporate patronage; Critical spatial practice; Branded, luxury and experiential spaces; Culture and regeneration, and Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research

Anthony Gardner

University of Melbourne

ARC Research Fellow

Art History Department

Art History, Australian Aboriginal art, Australian art, and Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research

Katharina Worf

Humboldt Universität zu Berlin

Graduate Student

Institute of Art and Visual History

Architecture, Art Criticism, Conceptual Art, and Contemporary Art

Emma Nicolson

ECAV - Ecole Cantonale d'Art du Valais, Sierre

Graduate Student

MAPS - Arts in Public Spheres Department

Art Practice as Research, Art Theory, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Contemporary Art

Camila Maroja

Duke University

Graduate Student

Art, Art History and Visual Studies Department

20th century Avant-Garde, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, Conceptual Art, and Contemporary Art

Núria Querol

Royal College of Art

Graduate Student

Curating Contemporary Art Department

Art History, Art Theory, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Chinese Studies

Dimitrina Sevova

Zurich University of the Arts

Graduate Student

Department of Culture Analysis

Art Practice as Research, Art Theory, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Contemporary Art

Alison Green

University of the Arts London

Faculty Member

BA Criticism, Communication and Curation Department

American modernism, Art Education, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Conceptual Art

Mariam Dvali

Art History, Art Locale Evolution--continually emerging new "places" for art exhibition/encounter, Arts Education, and Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research

Ambra Gattiglia

Central Saint Martins College of Art and Design, University of the Arts London

Graduate Student

Research Department

Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, Contemporary Art Art History Art Theory Writing in Visual Art Art writing Artistic Research Artists’ Books Curation Art ‘beyond the gallery’ Culture Gender Interdisciplinarity Visual Studies, and Curatorial Studies and Practice

Cicely Farrer

Royal College of Art

Graduate Student

Curating Contemporary Art Department

Adrian Piper, Adrian Piper's Funk Lessons, Biennials, History of Exhibitions, Cultural Studies, Postcolonial Studies, Memory, Practice-based research, and Foucault

Georgina Phipps

Adam Matthew Digital

Department Member

Editorial Department

Digital Humanities, E-learning, Exhibition, Museum, Expositions and Worlds Fairs, and History
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