Beethoven

Deirdre Loughridge

University of California, Berkeley

Post-Doc

Music Department

Aesthetics (Music), Beethoven, Film Music And Sound, and History of Technology

Julie Anne Heikel

University of Michigan

Graduate Student

Musicology Department

Celtic Music, Christian liturgical music, Church Music, and Folk Appropriation in Art and Popular Music

Guangchen Chen

Harvard University

Graduate Student

Comparative Literature Department

Biography, Ecocriticism, Kitsch, and Atonal Music

Angela Mace

Duke University

Graduate Student

Music Department

Bach, Beethoven, English sacred music, and Fanny Hensel

Tosca Lynch

University of St Andrews

Graduate Student

Classics Department

Aesthetics, Ancient Greek Music, Ancient Greek Rhetoric, and Ancient Philosophy

Anneke Scott

18th/19th century Music/Period Performance, Baroque Music, Beethoven, and Berlioz

Clive Brown

The University of Leeds

Faculty Member

Music Department

Beethoven, Classical and Romantic Performing Practice, Felix Mendelssohn-Bartholdy, and German opera (early nineteenth-century)

Morton Wan

University of Oxford

Graduate Student

Music Department

Beethoven, Critical Theory, Interpretation, and Music Theory and Music Analysis

Mark Ferraguto

Cornell University

Graduate Student

Music Department

Beethoven, Early Music, Haydn, and Performance Practice

Vasili Byros

Northwestern University

Faculty Member

Music Theory and Cognition Department

Anthropology of Music, Beethoven, C P E Bach, and Communication

Mikkel Vad

University of Copenhagen

Graduate Student

Department of Arts and Cultural Studies

12-tone Composition, 19th Century (History), 20th Century, and 20th century Afro-American expressive culture and cultural politics

Claire Holden

Cardiff University

Faculty Member

Cardiff School of Music

Baroque Violin, Beethoven, Historically Informed Performance (HIP), and Nineteenth Century String Playing

Sixto Federico Montesinos

University of Texas Arlington

Graduate Student

Music Department

Mozart, Music Education, Music Theory Pedagogy, and Music in the classical period

Yi-Mei Yu

National Chiao Tung University

Alumna

Institute of Music, NCTU

Aesthetics (Music), Analysis of Film Music, Art, and Art History

Edgardo Salinas

Columbia University

Post-Doc

Society of Fellows in the Humanities Department

Art and technology, Beethoven, Cultural Musicology, and German early romanticism

Larissa Kirillina

Moscow P. I. Tchaikovsky Conservatory

Faculty Member

History and Theory of Music Department

Beethoven, Early Music, G F Handel, and Mozart, Opera, Baroque music, Theatre, Italian Opera, French Opera, Opera buffa, Ballad Opera, 18th century, early 19th century

Barney Sherman

Anthropology of Music, Baroque Music, Beethoven, and Cello

John Wilson

University of Music and Performing Arts Vienna

Staff Pianist, Doctoral Candidate

Conducting, Musicology Department

18th-century Opera and Singspiel, Beethoven, Music, and Semiotics

john finkelstein

Belmont University

Alumnus

Arts Education/ Music Department

19th Century French Keyboard Music, Affect & Arousal, Arts Education, and Baroque Art and Literature

Linda Brown Holt

Humanities, Literature, Medieval Studies, and Music

Ronald Dotson

West Valley College

Faculty Member

Music Department

Baroque Music, Beethoven, Consumers & Consumption, and Cultural Studies

Priscilla Tan

Beethoven, Comparative Politics, Dystopian Fiction, and Dystopian Literature

Charles Stewart III

Boston College

Undergraduate

English / Music Department

Beethoven, Chaucer, Digital Humanities, and Early Music

Nicole Lorenz

Université de Montréal

Graduate Student

Music Department

Beethoven, Bela Bartok, Classical Music, and Collaborative Piano

Katie Walshaw

The University of Western Ontario

Graduate Student

Music Department

Beethoven, Form (Music Theory), Music Theory, and Sonata Theory and in particular "Elements of Sonata Theory"
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