Audience as Composer-Performers Events

Paul Alan Barker

University of London

Faculty Member

Central School of Speech and Drama

Accompanying Music, Audience as Composer-Performers Events, Breath - Body - Voice, and Chamber Music

Diego Pellecchia

Royal Holloway, University of London

Department Member

Drama and Theatre Studies Department

Aesthetics and Ethics, Ethical Criticism, Intangible cultural heritage, and International Ethics

Elinor Predota

Newcastle University

Graduate Student

Geography, Politics, Sociology Department

Community Empowerment, Community Engagement & Participation, Geographies of domination and oppression, and Geography

Milagros Manzano Small

Universidad Maimonides

Faculty Member

Multimedia Department

3D TV, Magazine Ads, Theatres & New Viewings/Composings, Adaptation, African Women Studies, and Architecture

Penelope Woods

Queen Mary, University of London

Graduate Student

English & Drama Department

Acting, Aesthetics, Affect & Arousal, and Art Theory

Sally O'Donnell

De Montfort University

Faculty Member

Performance and digital arts Department

Audience as Composer-Performers Events, Audience/Reader Participation in Composing: Composings as Performances, Butoh Dance, and Choreographic Methodologies

Vanessa Corby

York St John University

Faculty Member

Faculty of Arts

Affect Theory, Art, Art Criticism, and Art History

Nancy Kresin-Price

California Institute of Integral Studies

Graduate Student

Transformative Studies Department

Adaptation, Adolescent Development, Adult Continuing and Professional Education, and Alchemy

Clare Wright

University of Nottingham

Faculty Member

English Department

Audience Studies, Body in Performance, Late Medieval, and Medieval

Christine Twite

Queen Mary, University of London

Graduate Student

English & Drama Department

Audience Research, Audience and Reception Studies, Contemporary British Theatre, and Drama & Theatre Studies

Carrie Gates

University of Saskatchewan

Web and Electronic Media Developer

Educational Media Access and Production Department

Art, Art Brut, Art History, and Artificial Intelligence

Sara Carvalho

University of Aveiro

Faculty Member

Communication and Art Department

20th/21st Century Vocal music, Audience as Composer-Performers Events, Body in Performance, and Chamber Music

Diana Cuello

Duquesne University

Graduate Student

Psychology Department

Abnormal Psychology, Aggression (Psychology), Alchemy, and Altered States of Consciousness

lonce wyse

National University of Singapore

Faculty Member

Communications and New Media Department

Acoustic Modelling, Algorithmic Composition, Analysis of Electroacoustic Music, and Art

Ian Tran

University of Michigan - Dearborn

Undergraduate

Natural Sciences Department

Action Research, Adaptive co-management, Aesthetics, and Altruism

Sheila Christie

Cape Breton University

Faculty Member

Languages and Letters Department

16th Century Dramatic Literature, Applied Drama/Theatre, Applied Theatre, and Audience

Eleanor Paremain

University of London, Birkbeck College

Graduate Student

English and Humanities Department

Audience as Composer-Performers Events, Cognitive & Social Psych of Thrilling Audiences, Contemporary British Theatre, and Multicultural Theatre

Rebecca Lind

University of Illinois at Chicago

Faculty Member

Communication Department

Audience Studies, Audience and Reception Studies, Audience as Composer-Performers Events, and Communication

Sarah Rubidge

University of Chichester

Faculty Member

Dance Department

Audience as Composer-Performers Events, Contemporary French Philosophy, Cultures of Technologies and Interfaces, and Dance Knowledge

Justine Flynn

University of Central Lancashire

Department Member

School of Creative and Performing Arts

Audience as Composer-Performers Events, Computer Music, Ear Training For Electroacoustics, and Electroacoustic Music

Maria Gillespie

University of California, Los Angeles

Alumna

World Arts and Cultures/Dance Department

Audience as Composer-Performers Events, Choreography, Culture, and Dance Studies

Jessica Faith Hayden

University of California, Santa Cruz

Graduate Student

Digital Arts and New Media Department

Adaptive Hypermedia, Anthropology, Anthropology of Knowledge, and Anthropology of Performance

Joseph Byrd

College of the Redwoods

Faculty Member

Music Department

American Studies, Anthropology of Gender, Appalachian Studies, and Audience as Composer-Performers Events

Ioana Lazarescu

University of Bucharest

Graduate Student

Faculty of Letters

Audience Reception for Interactive Media, Audience Studies, Audience and Reception Studies, and Audience as Composer-Performers Events

Aurora Murphy

Flinders University of South Australia

Graduate Student

Drama and Women's Studies Department

Audience as Composer-Performers Events, Body in Performance, Gender and Sexuality, and Performance Art
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