On Stupidity
Copy of a paper presented in 2011 as part of InC. unpublished
‘On stupidity’ is a close reading of two short passages from Adorno’s Minima Moralia: sections 79 (Intellectus... more ‘On stupidity’ is a close reading of two short passages from Adorno’s Minima Moralia: sections 79 (Intellectus sacrificium intellectus) and 127 (Wishful thinking). In these sections, Adorno discusses the relationship between intelligence and stupidity. My reading will focus on the sections’ problematic claim: that intellect and stupidity are essentially the same. Both are different outcomes of the same ‘forceful nature’.
Lives Not Wasted
by Jon Simons
Intended as a blog piece to coincide with the publication of FROM AGAMBEN TO ZIZEK: CONTEMPORARY CRITICAL THEORISTS (2010).
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Seen by:In seinem Anderen bei sich selbst zu sein: Toward a Recuperation of Hegel's Metaphysics of Agency
by Ayon Maharaj
Epoché: A Journal for the History of Philosophy 11.1 (Fall 2006), 225-255.
This essay argues for a distinctly post-Kantian understanding of Hegel's definition of freedom as "being at home... more This essay argues for a distinctly post-Kantian understanding of Hegel's definition of freedom as "being at home with oneself in one's other." I first briefly isolate the inadequacies of some dominant interpretations of Hegelian freedom and proceed to develop a more adequate theoretical frame by turning to Theodor Adorno. Then I interpret Hegel's notion of the freedom of the will in the Philosophy of Right in terms of his speculative metaphysics. Finally, I briefly examine Hegel's treatment of agency in the Phenomenology of Spirit in order to establish important continuities between the early and late Hegel.
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Seen by:The All-Penetrating Ether of Society: Adorno, Exchange, and Abstract Social Domination
by Chris O'Kane
Paper presented at the Annual Historical Materialism Conference, London United Kingdom.
Pied Pipers and Polymaths: On the Politics of Adorno's Late Lectures (pdf)
First Published in Stefano Giacchetti Ludovisi (ed.), Critical Theory: Nostalgia for a Redeemed Future (John Cabot University Press, 2009)
How political is music? An approach through Adorno and Rancière
Paper presented at International Conference on “Sociology of music. Tendencies, Issues, Perspectives” (org. CESEM), Culturgest, Lisbon, 23-25 July 2009.
Paradox and Critique. Some Thoughts on an Unexpected Affinity between Deleuze and Adorno.
Paper presented at “CONNECTdeleuze: The Second International Deleuze Studies Conference,” Universität zu Köln, Köln, 10-12 August 2009.
Uma revisão crítica da leitura habermasiana da Dialéctica do Iluminismo de Adorno e Horkheimer [Habermas’ Reading of Dialectic of Enlightenment: a critical revision]
Published in Saberes, Natal – RN, vol. 1, no. 1 (December 2008), pp. 57-70 [in Portuguese].
Resumo:
O artigo visa levar a cabo uma revisão crítica da leitura habermasiana da Dialéctica do Iluminismo... more
Resumo:
O artigo visa levar a cabo uma revisão crítica da leitura habermasiana da Dialéctica do Iluminismo de Adorno e Horkheimer, tendo como pano de fundo a perspectiva de uma reavaliação do potencial da filosofia adorniana, para lá das fronteiras teóricas da chamada segunda geração da Escola de Frankfurt. Atendendo ao teor crítico da leitura proposta por Habermas, tratar-se-á de discutir dois aspectos que lhe estão subjacentes: a identificação da dimensão mítica do iluminismo com a “racionalidade instrumental”, por um lado, e, por outro, o diagnóstico segundo o qual estaria em causa na Dialéctica do iluminismo uma totalização da crítica que conduziria inevitavelmente a filosofia a uma situação aporética que ameaça conduzi-la ao beco sem saída do cepticismo. Face a este duro diagnóstico, sugere-se que a dimensão paradoxal do pensamento de Adorno pode constituir – permanecendo fiel à sua definição enfática da filosofia como “pensamento que não se deixa travar” – uma vertente imprescindível do pensar filosófico capaz de desencadear, com o seu carácter perturbador, uma crítica imanente da razão.
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Seen by:Médiation et énigme dans la pensée musicale d'Adorno
Published in in Présents musicaux, ed. Jean-Paul Olive (Paris, L’Harmattan – Collection Arts 8, 2009), pp. 171-192 [in French].
Como rasgar o firmamento ? A arte e o “fora” em Deleuze e Adorno [How to tear open the firmament? Art and ‘Outside’ in Deleuze and Adorno]
Published in in “Fora da filosofia", ed. Golgona Anghel and Eduardo Pellejero (Lisbon, CFCUL, 2010), pp. 39-63 [in Portuguese].
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Seen by:Notas sobre a actualidade do caso Wagner
Published in "Obras de Richard Wagner", TNSC, 2008 [in Portuguese]
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Seen by:On Erich Fromm: why he left the Frankfurt school
Kamau, C. (2012).
Chapter synopsis: 'On Erich Fromm: Why he left the Frankfurt School':
-Biography: Erich Fromm
-Erich... more
Chapter synopsis: 'On Erich Fromm: Why he left the Frankfurt School':
-Biography: Erich Fromm
-Erich Fromm was very critical of Freudian psychoanalysis. The Frankfurt School disapproved of that.
-Tension arose between Fromm and Horkheimer/Adorno/Marcuse and other pro-Freudian contemporaries
-Erich Fromm had reservations about the Frankfurt School's desire to merge psychoanalysis with Marxist theory
-Controversy arose over the Frankfurt School's decision not to publish a manuscript that Fromm wrote, with Weiss. This was a report of their landmark authoritarian personality study of 1931. The topic and methodology shaped the Frankfurt School's later research into authoritarianism (e.g. Adorno et al.'s famous studies).
This chapter also discusses Erich Fromm's work post-Frankfurt School:
--Fromm on social neurosis
--Fromm on thoughts as a form of self-presentation or impression management
--Fromm's theoretical focus on self identity, rather than instincts
--Fromm's theory about personality traits
--Fromm on empiricism and psychology versus psychoanalysis
Labor and Metaphysics in Hindemith’s and Adorno’s Statements on Counterpoint
by Keith Chapin
“Labor and Metaphysics in Hindemith’s and Adorno’s Statements on Counterpoint.” In Apparitions: New Perspectives on Adorno and Twentieth-Century Music, ed. Berthold Hoeckner. London: Routledge, 2006. 19-40.
Composer Paul Hindemith and philosopher Theodor Adorno each explored the notion of counterpoint and its... more Composer Paul Hindemith and philosopher Theodor Adorno each explored the notion of counterpoint and its interrelatedness with musical development through history. Both addressed principles of the laws of nature, the role of labor in musical creation, and factors such as density and texture in the evolution of musical processes, while appreciating the diversity of counterpoint’s evolution as well as its timeliness as a device in contemporary music.
„Adorno und Descartes, programmatisch versöhnt: Der wissenschaftliche Essay als Form“
published in: Merkur. Deutsche Zeitschrift für europäisches Denken 63, 11, (2009), 1077-1081.
What Is Conceptual History?
Published in K. Deligiorgi (dir.), Hegel: New Directions, London et Montréal, Acumen et McGill-Queen’s University Press, 2006.
Cold, Cold, Warm: Autonomy, Intimacy and Maturity in Adorno
Philosophy and Social Criticism, vol. 37, no. 6 (2011): 669-689.
When Adorno refers to the concept of maturity (Mündigkeit), he generally means having the courage and the ability to... more When Adorno refers to the concept of maturity (Mündigkeit), he generally means having the courage and the ability to use one’s own understanding independently of dominant heteronomous patterns of thought. This Kantian-sounding claim is essentially an exhortation: maturity demands self-liberation from heteronomy, or more simply: autonomy. The problem, however, is that in spite of Adorno’s general endorsement of Kant’s definition of maturity, he ultimately rejects the corresponding Kantian definition of autonomy, which posits a purely formal sphere of rational interiority in which the self-legislating subject is bound by the moral law. Yet Adorno does not simply set aside the Kantian concept of autonomy. On the contrary, he will try to correct it by returning to it what it lacks, namely, intimacy or ‘live contact with the warmth of things.’ In this gesture, he aims to restore to autonomy its ethical substance or its lived ethical context, not as a mere supplement to the necessary purity of duty, but rather as necessary to the very process of becoming autonomous, i.e., mature and responsible. This paper examines Adorno’s concept of maturity in the context of the dialectical relationship between autonomy and intimacy.

