[review]: 'On Directing and Dramaturgy: Burning the House' by Eugenio Barba
by Sam Bicknell
in Contemporary Theatre Review 20 (4), pp. 487-8
Un Interstice Impalpable (French version, English and Portuguese translation)).
Published in Scenes d'architecture. Nouvelles architectures françaises pour le spectacle, Paris, Editions du patrimoine, Culturesfrance/Centre des monuments nationaux, Paris, 2006, pp. 18-23
Published for the exhibition representing France at the 7th international Biennal of Architecture in São Paulo
I'm trying to understand how the performing space is changing since the arrival of digital technologies I'm trying to understand how the performing space is changing since the arrival of digital technologies
Happiness as a Subversive Activity: An Interview with Ivan Szendro on Commedia Dell'Arte as Healing & Resistance in Communist Hungary
This is a recent interview conducted on the theme of "polis as Muse" for an academic journal.
This interview with Hungarian actor and shaman Ivan Szendro examines the role of folk theatre performance art in the... more
This interview with Hungarian actor and shaman Ivan Szendro examines the role of folk theatre performance art in the tradition of commedia dell'arte as a vital form of creative self-healing and political resistance in Hungary during the Soviet Occupation.
Bertolt Brecht and the Theatre of Alienation
Published in 'The Cambridge University Journal of Politics' 2011
Invisible Theatre of Ethnography: Performative Principles of Fieldwork
This paper analyzes the performative ontology of ethnographic fieldwork using a combination of thinkers such as A.... more This paper analyzes the performative ontology of ethnographic fieldwork using a combination of thinkers such as A. Boal and Goffman.

