Review: Pedro Espinosa (2006). "Primera parte de Flores de poetas ilustres de España", edición de Inoria Pepe y José-Mª Reyes. Madrid: Cátedra.
Archivo Hispalense, 276-278(XCI), 467-477, 2008.
Review of "El pacto ambiguo: De la novela autobiográfica a la metaficción", by Manuel Alberca.
Review published in "Cincinnati Romance Review" 32 (2011). Online.
Alberca, Manuel. "El pacto ambiguo: De la novela autobiográfica a la autoficción". Madrid: Biblioteca nueva, 2007.
Sobre el cuento literario en español a principios del siglo XX: Darío, Miró, Unamuno
Carlos Mata Induráin, «Sobre el cuento literario en español a principios del siglo XX: Darío, Miró, Unamuno», en Víctor García Ruiz, Rosa Fernández Urtasun y David K. Herzberger (eds.), Del 98 al 98. Literatura e Historia literaria en el siglo XX hispánico, Pamplona, Rilce (número especial 15:1)-Society of Spanish and Hispanic American Studies-University of Connecticut, 1999, pp. 309-318.
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Published in the Vanderbilt e-Journal of Luso-Hispanic Studies
Shed Some Light on the Subject: Teaching Ramón del Valle-Inclán's Luces de Bohemia
Published in Hispania, 94 (4), 704-714
doi: 10.1353/hpn.2011.0107
This essay seeks to provide parallel and interchangeable approaches to teaching Ramón del Valle-Inclán's challenging... more This essay seeks to provide parallel and interchangeable approaches to teaching Ramón del Valle-Inclán's challenging play Luces de bohemia. A greater understanding of the cultural and mental frameworks of the early twentieth-century Spanish spectator will permit students to penetrate the dense intertextuality that characterizes Valle's best-known work. To this end, I outline two approaches that can be used separately or in tandem: 1) a study of the Spanish commercial stage at the dawn of the twentieth century and the revista genre; 2) an investigation of the rise of Spanish journalism in the late-nineteenth and early-twentieth centuries. These thematic studies give students the proper insight to understand the episodic structure, endless parade of characters, and countless historical and political allusions in Luces de bohemia as an attempt to reconstruct the frenetic public life of early twentieth-century Spain.
“Peligros de un obrero lector: filántropos, editores y clase obrera en el siglo 19 en España.”
Revista de Estudios Hispánicos (Forthcoming).
La sobrevida. Sonetos de la muerte, de Odón Betanzos Palacios
Cuadernos para Investigación de la Literatura Hispánica. Fundación Universitaria Española. Seminario "Menéndez Pelayo". Núm. 31. Madrid, 2006. I.S.S.N.: 0201-0061. www.fuesp.com
CfP: "SPACES WRITTEN IN VIOLENCE/VIOLENCE WRITTEN IN SPACES: PERSPECTIVES IN IBERIAN AND LATIN AMERICAN LITERATURES AND CULTURES" (The Tulane University Spanish and Portuguese Graduate Student Conference)
CALL FOR PAPERS
The Tulane University Spanish and Portuguese Graduate Student Conference
SPACES... more
CALL FOR PAPERS
The Tulane University Spanish and Portuguese Graduate Student Conference
SPACES WRITTEN IN VIOLENCE/VIOLENCE WRITTEN IN SPACES
PERSPECTIVES IN IBERIAN AND LATIN AMERICAN LITERATURES AND CULTURES
March 23-24, 2012
Spaces can be conceived as texts that contain information about how they were written. The converse is also true. Texts can be conceived as spaces, and they contain information about how they were configured. Texts also create and produce space(s). The Humanities and Social Sciences have increasingly turned to space as an analytical category and have drawn attention to its intrinsic relation to power and violence.
Particularly since the epistemic violence of colonialism marked the world, Iberian and Latin American literatures and cultures have been crucial in writing spaces in violence and in writing violence in space(s): From the cartas de relación to the corrido, from codices to the rise and fall of the lettered city, from testimonio to Almodóvar's and Meireilles's cinematic endeavors, these literary and cultural expressions have constituted, negotiated, created and reflected upon spaces and violence.
This conference hopes to further explore the relationship between space(s) and violence in Iberian and Latin American literatures and cultures. Possible topics include: political, social and/or economic violence taking place in urban or rural spaces, border spaces, transnational or post-national contexts; gendered spaces of violence; violence in specific regions (such as the Andes, Central America, the Caribbean) or time periods (such as Early Modern, the Long 19th Century, Spanish Civil War, Franco Era, Latin American revolutions); spaces where violence is remembered, celebrated or mourned; and textual strategies for narrating violence.
We seek papers in English, Spanish or Portuguese pertinent to the studies of Peninsular, Transatlantic and Latin American literatures and cultures. Students who are working on literature, art, architecture, film, TV, music, dance, comics or any other cultural expression are encouraged to apply.
Keynote Speakers
Juan Pablo Dabove, University of Colorado at Boulder
Yuri Herrera, Tulane University
Please send abstracts of 250-300 words to tulanegrad.spanport@gmail.com. Please include your name, phone number, and institutional affiliation in your email. Individual presentations may be up to 20 minutes in length (approx. 7-8 pages, typed, double-spaced).
The deadline for abstract submissions is January 15, 2012
All travel and lodging for the conference will be the responsibility of the participants. We will do our best, however, to accommodate participants in the homes of Tulane graduate students. For more information, please contact us by email.
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Seen by: and 6 moreIllusions of Love: The ‘Woman-Who-Never-Was’ and the 'Libro de buen amor'
Sexuality, Sociality and Cosmology in Medieval Literary Texts, Edited by Jennifer Brown and Marla Segol, Palgrave Macmillan, 2012 (ISBN: 978-0230109803)
This essay examines the connection in the 'Libro de buen amor' between the Archpriest’s cosmological imperative to... more This essay examines the connection in the 'Libro de buen amor' between the Archpriest’s cosmological imperative to love and the portrait of an ideal lady given to him by Amor. In this analysis, the essay argues that the portrait both embodies the Archpriest’s endless search for love and symbolizes the very nature and limits of human desire.
Subjetividad, mujer y novela picaresca: el caso de las pícaras.
Journal of Interdisciplinary Studies, 6.2, Special Issue, Literatura y Subjetividad. 131-149, 1994
Signed as Reyes Coll Telletxea Signed as Reyes Coll Telletxea
La vida de Lazarillo de Tormes y de sus fortunas y adversidades
• 1997 & 2000: Reyes Coll-Tellechea and Anthony Zahareas. Critical edition and study, Ediciones AKAL, Madrid
La Familia De Pascual Duarte O La Función Política De La Picaresca
Cincinnati Romance Review, Vol. XV, 64-72, 1996
En el ultimo azul by Carme Riera: Memory's future and the history of the Spanish Jews
in Models of Medieval Literature Minority Views in Spanish Medieval literature and Their Modern Reflections. Juan de la Cuesta Press, 307-320, 2002
Lazarillo Castigado: LIbro de la semana
Academia del Hispanismo, Spain, Selected Lazarillo Castigado. Historia de un Olvido as "Book of the Week"... Academia del Hispanismo, Spain, Selected Lazarillo Castigado. Historia de un Olvido as "Book of the Week" (june 3, 2011)
Reseña: A Vueltas con el Autor de Lazarillo
Reseña aparecida en ManuscitCao (Madrid, 2011)
http://www.edobne.com/manuscrtcao/a-vueltas-con-el-autor-del-lazarillo
http://www.academiaeditorial.com/web/wp-content/uploads/2011/05/CB-Agu
Mi reseña del controvertido libro de Mercedes Agulló y Cobos sobre el autor de Lazarillo de Tormes, aparecida en dos... more Mi reseña del controvertido libro de Mercedes Agulló y Cobos sobre el autor de Lazarillo de Tormes, aparecida en dos publicaciones
Cervantes, Shakespeare and Calderón: Theater and Society
with Anthony Zahareas. University Louisiana, Proceedings 16th Louisiana Conference, pp. 224-239, 1995
Remembering Sepharad
in Memory, Oblivion and Jewish Culture in Latin America. The University of Texas Press, 3-15, 2005
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