Communication gaps in seventeenth century Britain: Explaining legal Scots to English practitioners
Through a detailed etymological, lexicographic and semantic analysis, this paper addresses communication gaps... more Through a detailed etymological, lexicographic and semantic analysis, this paper addresses communication gaps resulting from two different legal traditions after the English and the Scots had found themselves ruled by the same monarch. I look at one of the earliest glossaries of Scots legal terms, a relatively unknown appendix to Sir George Mackenzie's The Institutions of the Law of Scotland from the 1690s, comprising 184 genre-specific Scots lexical items and expressions. I work within a pragmaphilological approach, analysing what seemed unknown to the ears and eyes of English lawyers, and for what reason it was glossed. The final results are intriguing: 40% of the glossary is linked with the Scottish legal system and terminology, 49% belongs to non-legal regional vocabulary, and 11% provides insight into conceptual gaps between the Scots and the English, not necessarily in the area of the law.
Jesus+Golgotha+Medici Alter+Mary Queen of Scots..
by Frank Dougan
My visit to the Holy Sepulchre Basilica, Jerusalem, Israel; February 2012
Jesus+Golgotha+Medici Alter+Mary Queen of Scots..
All pictures presented and directed by; Frank... more
Jesus+Golgotha+Medici Alter+Mary Queen of Scots..
All pictures presented and directed by; Frank Dougan...
Jerusalem
He sat on a donkey on palm strewn paths
Cries of delight arose from the mouths
The First born Son of God Christ Jesus.
To the temple he was led
There the money changers the people were bled
He cast them out of the House of His Father
The Sanhedrin were in a rage
Who is this Man to whom multitudes did gather?
He taught a new ideology of the age.
Secret plans they did form to bring Him down
To rob Him of His holy crown
Pilate and the Roman lords were sought
A price of 30 silver coins His friend was bought
At the Garden of Gethsemane from a kiss He was put in chains
Plans to kill Him for their ill-gotten gains
Pilate washed his hands of the affair he could find no crime
The high priest Caiaphas mind was distorted with grime
On His 6th day in Jerusalem they hung Him on a cross
He called to heaven that none of His sheep were lost
His promise to Peter He would return
The start of a new beginning had begun
Jesus is the Messiah the Chosen One.
He cried out loud before He went away
“Eli, Eli, Lama sabachthani”?
His dead corps was taken down and in a crypt buried
On the 3rd day from His death His word delivered
The Son of Man rose from the dead at the hand of Rome
In Jerusalem the spark of light was born Jesus was in His holy home.
By Frank J Dougan
Inside the Basilica of The Holy Sepulchre....is Golgotha (Calvery) where Jesus Christ was executed.....
The Holy Sepulchre Basilica also contains the tomb where Jesus lay...and rose from the dead!
At the foot of where The Cross stood stands the Medici Alter...
Mary Queen of Scots name is inside the Medici Alter!
The Medici Alter was commissioned a few months after Mary was martyrd!
The Alter is on the exact spot where Jesus lay after He was taken down from the cross and Held in His Mother Mary's arms!
Catherine de Medici was the mother Francis II of France....Mary was married to him!
The 11th Station - the Latin (Catholic) chapel.
The chapel's striking altar marks the 11th Station, the site at which Jesus was nailed to the Cross. A fine example of Renaissance art, the altar was made in Florence in 1588 and given to the church by Cardinal Medici a few decades later.
Look for the Medici name. Six panels of hammered silver (four in font and one on each side) depict scenes from the Passion.
— in Jerusalem, Israel.
Memorials and Location: Local versus National Identity and the Scottish National War Memorial
Scottish Historical Review, 89 (April 2010): 73-95
This article seeks to explore the controversy surrounding the building of the Scottish National War Memorial. It... more This article seeks to explore the controversy surrounding the building of the Scottish National War Memorial. It analyses the arguments over the design of the memorial and its impact on Edinburgh Castle. The criticisms by Lord Rosebery and others of the design proposed by Robert Lorimer are dealt with in detail. The campaign by the Duke of Atholl to raise money for the memorial is scrutinised and the difficulties in securing donations at a time when there were many simultaneous attempts to raise money for local and institutional memorials are discussed. The article relates this material to the wider literature on war memorials in the period immediately following the First World War. The main theme of the article is to note the way in which the memorial at the Castle came to be accepted as a ‘national’ memorial and how this process relates to the formation and maintenance of Scottish national identity in the 1920s. As highlighted by comparison with the other national memorials, the Scottish National War Memorial ultimately serves to show the unity of the Scottish nation and the ongoing strength of its martial tradition, a means by which Scotland could express a distinctive identity whilst remaining securely within the United Kingdom.
By Scottish hands, with Scottish money, on Scottish soil: The Scottish National War Memorial and National Identity
Journal of British Studies 49 (January 2010): 73–96
This article examines the primary sources relating to the process of organizing the Scottish National War Memorial.... more This article examines the primary sources relating to the process of organizing the Scottish National War Memorial. These papers show the extent to which the Duke of Atholl was the driving force behind the memorial. The process is instructive in some aspects of the relationship between the social elite and self-made industrialists in Scotland. Above all, the erection of the memorial indicates the multi-faceted nature of Scottish identity reflected therein. It shows the ongoing influence of Presbyterianism. It also enriches our appreciation of the imperial dimension of Scottishness, and in particular the way in which Scots around the world considered themselves to be part of an “imagined community”. This article therefore seeks to show how Scotland’s religious, martial and imperial traditions continued to resonate as a means to commemorate this shockingly modern and destructive war.
The Scottish King of Arms: Lyon’s place in the hierarchy of the late-medieval Scottish elite
in Torsten Hiltmann (ed), Les ‘autres’ rois : Études sur la royauté comme notion hiérarchique dans la société au bas Moyen Âge et au début de l'époque moderne (Paris, 2010).
5 views
Seen by:'Royal Propaganda: Snowdon Herald and the Cult of Chivalry in Late Medieval Scotland’
in James D. Floyd and Charles J. Burnett (eds), Genealogica Et Heraldica Sancta Andreae MMVI: Myth and Propaganda in Heraldry and Genealogy, volume ii (Edinburgh, 2008).
‘ “Recreations to refresh the spirits of his followers”: Walter Bower’s revelations on cultural pursuits at James I of Scotland’s court’,
Recherches Anglaises et Nord-Américaines (RANAM), 40 (2007), pp. 63-77.
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Seen by:Contesting Chivalry: James II and the control of chivalric culture in the 1450s
Journal of Medieval History, 33:2 (2007), pp. 197-214.
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Seen by:‘The Unicorn, St Andrew and the Thistle: Was there an Order of Chivalry in Late Medieval Scotland?’,
Scottish Historical Review, 83 (2004), pp. 3-22.
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Seen by:Chronicle of a Coracle
Historical information about coracles - hide covered boats used since Antiquity. Historical information about coracles - hide covered boats used since Antiquity.
54 views
Seen by:Archie Gibb's Zulu War Dance: Biographical Explorations in South African 'Scottish' Military Culture
Paper prepared for a colloquium at the National Museum of Scotland, Edinburgh, March 2012
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Seen by:31 views
Seen by:'Finding the Family in Medieval and Early Modern Scotland'
Book Review published in Cultural and Social History, Volume 7, Number 1, March 2010 , pp. 125-126(2).
The chorographic tradition and seventeenth- and eighteenth-century Scottish antiquaries
Rohl, D.J. (2011) The chorographic tradition and seventeenth- and eighteenth-century Scottish antiquaries, 'Journal of Art Historiography,' number 5 (December 2011).
Full text available at: http://arthistoriography.files.wordpress.com/2011/12/rohl.pdf
For slides from presentation given at original workshop, see: http://durham.academia.edu/DarrellRohl/Talks/48600/The_Chorographic_Tr
The early modern phenomenon of British Antiquarianism can be traced to the Renaissance rediscovery of the classical... more The early modern phenomenon of British Antiquarianism can be traced to the Renaissance rediscovery of the classical chorographic tradition. While the term ‘chorography’ eventually fell out of use, its influence can still be seen in the works of later antiquaries and more current approaches to land and particular places. This paper provides a brief introduction to the history and main concerns of chorography, identifies the continuity of chorographic thinking in the works of the Scottish antiquaries Sir Robert Sibbald and Alexander Gordon, and concludes with a retrospective on the long-term legacy of their work and the role chorography has played in major developments of land-use and studies of Scotland’s past.

