Heinrich Schütz: intonazione della scala e struttura tonale
by Mark Lindley
Part 1 published in the journal, “Il Flauto Dolce,” 14-15 (1988); Part 2 published in the journal, “Recercare,” v.1 (1989).
Part 1 surveys historical accounts of meantone temperament; Part 2 incorporates a relevant survey of Schütz’s musical works. Some excerpts from Part 2 (including an abstract in English) are given here.
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Seen by:The unmappable: vagueness and spatial experience
Space and Culture, 9 (4). pp. 453-467. ISSN 12063312. (2006)
This article contributes to current discussions of the spatial inspired by complexity theories that emphasize the... more
This article contributes to current discussions of the spatial inspired by complexity theories that emphasize the multiple and relational qualities of space. It introduces the concept of vagueness and “vague objects” and relates these to spatial theory through the intersubjective theory of Alfred Schutz. The author argues that a consideration of vagueness, especially as constructed in Schutz’s version of intersubjectivity, can provide insights (outside complexity theorizations) into the continuous and multivalent nature of social space and the relationships between spatial experience, practice, representation, and power.
Keywords: Vagueness, Space, Schutz, Power, Lefebvre, Phenomenology, Habermas.

