Tabula Rasa and Human Nature
draft - forthcoming in Philosophy
It is widely believed that the philosophical concept of ‘tabula rasa’ originates with Locke’s Essay Concerning Human... more It is widely believed that the philosophical concept of ‘tabula rasa’ originates with Locke’s Essay Concerning Human Understanding and refers to a state in which a child is as formless as a blank slate. Given that both these beliefs are entirely false, this article will examine why they have endured from the eighteenth century to the present. Attending to the history of philosophy, psychology, psychiatry and feminist scholarship it will be shown how the image of the tabula rasa has been used to signify an originary state of formlessness, against which discourses on the true nature of the human being can differentiate their position. The tabula rasa has operated less as a substantive position than as a whipping post. However, it will be noted that innovations in psychological theory over the past decade have begun to undermine such narratives by rendering unintelligible the idea of an ‘originary’ state of human nature.
The Embodied Novel
«Cognitive Philology» 1, 3 (2008)
Major theorical studies approached the crucial subject of mimesis focusing on the relationship between literature and... more Major theorical studies approached the crucial subject of mimesis focusing on the relationship between literature and reality, maintaining that novels imitate reality through language, translate facts and events into semiotic acts or they establish consistent fictional worlds intersecting the so called actual or ‘real’ one. The present account maintains a different point of view, introducing an ecological theory of narrative reference. According with Gibson’s Theory of Affordances and recent findings in the field of neuroscience, namely mirror neurons, stories, and novels in particular, are addressed as being understood on the basis of individual action-related knowledge. Samples from the european tradition of medieval and early modern knightly novels are provided so as to show how novels do textually encode actions and how narrative events just referring to sensory experiences and interoceptive responses as emotions, feelings, thoughts, deductions or decisions are tightly connected, and to some extent dependent on action-related ones. Finally, a new assessment of novels as ecological niches will be taken into account, aside implications of an ecological theory of narrative reference for philological investigation of novels in the general framework of comparative literatures.

