Commemorating Quebec: Nation, race, and memory
This is my PhD dissertation, a copy of which is available on Digital Dissertations or send me an email for a copy.
COMMEMORATING QUEBEC: NATION, RACE, AND MEMORY
This study focuses on discourses of nation, race, and memory... more
COMMEMORATING QUEBEC: NATION, RACE, AND MEMORY
This study focuses on discourses of nation, race, and memory in present-day Québec society through an analysis of the celebrations of Québec City’s 400th anniversary in 2008. My analyses locate these commemorative practices within the broader context of a perceived crisis of Québécois identity. I identify the modes through which difference was discursively constructed in relation to culture, race, and gender in Québec. I then adopt a theoretical framework that examines the relationship among public commemoration, nation-building, and subject formation in Québec. Specifically, I examine the high-profile Rencontres spectacle, several museum and art exhibits, a theatrical production, a number of musical concerts, a variety of policy documents, various protocol events, and the Québec nationalist and anarchist protest movements in relation to each other.
I argue that the Québec 400 is best understood as a set of subject-making practices that sought to define an ideal Québécois subject through norms of belonging that prioritized French colonial heroes and subjugated indigenous and non-French Others. Commemorative practices at the Québec 400 celebrations articulated the liberal discourse of cultural pluralism common in Western liberal democracies post-1980s in ways that effectively positioned the normative Québécois subject as the enlightened, generous, and reasoned patron of cultural diversity. Commemoration also operated as a creative, festive, spectacularized, and thus seemingly innocent mode of constituting national subjects in 21st century Québec, relying as it did on territoriality and kinship relations to interpellate subjects into a national project in Québec and to locate them in a hierarchy of belonging.
The Québec 400 was also characterized by the performance of intimate relationships between France and Québec throughout 2008. The transnational dimensions of the normative Québécois subject were premised on a shared understanding of the
colonial-settler project in Québec, organized around notions of whiteness, civilization, and territory
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Seen by:The Spectacle of Champlain: Commemorating Québec
This essay examines the process of foundation through which Samuel de Champlain's public image as the founder of... more This essay examines the process of foundation through which Samuel de Champlain's public image as the founder of Québec has been instituted both historically and during Québec City’s 400th anniversary commemorations in 2008. Through analyzing the official commemorative event, Rencontres, I demonstrate how Champlain's memory is deeply informed by spectacularized forms of politics. In particular, I argue that the Québec 400 places Champlain as the founder of a culturally diverse Québec by underlining the peaceful encounter between French colonizers and indigenous peoples. By relying on a strategy of familiarity that builds on the politics of spectacle and a semiotics of space, this discursive move solidifies the normative Québécois subject's ability to legitimately manage national space and define its own boundaries. I end by arguing that commemoration stands out as an important technique of the nationbuilding project in Québec.
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Seen by:Debating Québec’s Interculturalism as a Response to Canada’s Multiculturalism: An Exercise in Normative Nationalisms?
This is a short paper I wrote for an issue of Canadian Diversity/Diversité canadienne published in April 2012.
This paper argues that normative debates about the relative merits of interculturalism in Québec are evidence of a... more
This paper argues that normative debates about the relative merits of interculturalism in Québec are evidence of a particular type of nationalism in both Québec and Canada, one that continues to centre the experiences of the “two founding” nations of Canada.
In order to resituate this debate, I locate interculturalism within the rise of tolerance discourses in Western liberal democracies since the 1980s. The first section of the paper presents a brief overview of some of the major claims for the rise of interculturalism in Québec. The second section of the paper provides a concise analysis of the racial politics of the intercultural discourse in Québec.
By doing so, I argue that despite their respective legitimacy, interculturalism and multiculturalism must be read as continued attempts to manage and limit expressions of racialized diversity in the social and political realms.
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Seen by:Québec in France: towards and understanding of the trans-Atlantic French-Québec subject
This paper examines the events commemorating the 400th anniversary of the founding of Québec City in 2008 and, in... more This paper examines the events commemorating the 400th anniversary of the founding of Québec City in 2008 and, in particular, the ways in which the Québec 400 was celebrated in Western France. The author argues that the events provide an instance of trans-Atlantic subject formation. Through analyzing a series of public events that took place in the La Rochelle region of France in 2008, the author argues that this extra-national raciality was constituted through two specific modes: practices of territoriality that signify a ‘cartography of origins’ and tropes of family that affirm the racialized dimensions of Québécois belonging in France.
Postcoloniality, Orientalism, and the Question of Québec
An earlier version of this paper was presented at the Dalhousie Undergraduate Arts and Social Science Conference (Halifax, 2012)
Published in Canadian Content: The McGill Undergraduate Journal of Canadian Studies
Examines the ways in which postcolonial theory may inform a fundamental re-reading of some of the major primary... more Examines the ways in which postcolonial theory may inform a fundamental re-reading of some of the major primary sources in the field of Canadian history
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Seen by:Le réseau des revues d’idées au Québec : esquisse d’une recherche en cours
Couture, J.P., Bernier-Renaud, L. et St-Louis, J.C., «Le réseau des revues d’idées au Québec : esquisse d’une problématique en cours», Globe. Revue internationale d'études québécoises , 14 2, 2011, 27 pages, sous presse.
This article demonstrates that it is possible to map the network of Québec’s political journals. Through a... more This article demonstrates that it is possible to map the network of Québec’s political journals. Through a bibliometric analysis, we reveal the configurations of the leading figures in these journals and the use and dissemination of authors that are quoted. More specifically, we ask: who are the authors writing in these journals, and what sources do they cite in order to defend their intellectual enterprises? By answering these questions, our contribution seeks to bring to light the very structure of this intellectual field, measuring the importance of each journal participating in the conversations taking place within the network. In identifying the core components of these networks, we will be able to identify the ideological gateways that form the clusters of journals competing for hegemonic positions. This research hopes to objectively reveal the positions of each journal and bring forward new hypotheses that might help further content analysis and interpretation
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Seen by:Souvenirs, Rencontres, Perspectives: Entretien Avec Serge Proulx
Dans cet entretien, Serge Proulx évoque ses rencontres avec des figures intellectuelles marquantes des sciences... more
Dans cet entretien, Serge Proulx évoque ses rencontres avec des figures intellectuelles marquantes des sciences sociales, notamment Marcel Rioux, Edgar Morin et Gregory Bateson. Ces rencontres constituent le prisme à travers lequel se réfléchissent des considérations sur l’histoire, le développement, l’épistémologie et la dimension politique du champ d’étude de la communication.
In this interview, Serge Proulx recalls his encounters with some of social sciences’ influential figures, such as Marcel Rioux, Edgar Morin and Gregory Bateson. These encounters constitute the cornerstone of Proulx’s views on the history, genesis, development as well as epistemological and political dimensions of the communication studies field.
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« Entre discussion et polémique : des conceptions de la Cité au sein des pages du Devoir, 1970-1979 », Bulletin d’histoire politique, vol. 18, no 1 (automne 2009), p. 169-181.
Cet article consiste en une analyse des contributions envoyées par des lecteurs au journal Le Devoir en réaction à... more Cet article consiste en une analyse des contributions envoyées par des lecteurs au journal Le Devoir en réaction à trois évènements-clés des années 1970, soit la crise d'octobre, l'affaire Morgentaler et la crise du logement.
« De la démocratie au Québec : la société canadienne-française dans les caricatures de Robert La Palme, 1943-1951 », dans Jérôme Boivin, Valérie Lapointe-Gagnon, Patrick-Michel Noël et Mélissa S.-Morin (dir.), Actes du 9e Colloque international étudiant du Département d’histoire de l’Université Laval, Québec, Artefact, 2010, p. 241-261.
Le caricaturiste Robert La Palme a livré un portrait saisissant du Québec de l’après-guerre, lui qui a mené une... more Le caricaturiste Robert La Palme a livré un portrait saisissant du Québec de l’après-guerre, lui qui a mené une véritable croisade contre Maurice Duplessis et son régime. Dans le cadre de cet article, nous nous proposons de retracer le parcours de Robert La Palme dans ses années au quotidien libéral Le Canada, où il travaille de 1943 à 1951, afin de comprendre le théâtre satirique qu’est son œuvre selon deux forces qui s’opposent ou se complètent l’une l’autre : le contexte sociopolitique, qui inspire et dont s’abreuve le caricaturiste, d’une part, et l’engagement même de Robert La Palme, qui dirige et conduit sa plume, d’autre part. Nous verrons comment le caricaturiste, par la disposition des acteurs qui prennent place sur scène dans son théâtre, intègre l’imaginaire de la Grande Noirceur à son œuvre.
« Robert La Palme et la caricature au Québec », Encyclopédie du patrimoine culturel de l’Amérique française.
Le nez de Maurice Duplessis. Telle était la signature de Robert La Palme, célèbre caricaturiste. Sous sa plume acide,... more Le nez de Maurice Duplessis. Telle était la signature de Robert La Palme, célèbre caricaturiste. Sous sa plume acide, le nez de celui qui fut premier ministre de la province de Québec de 1936 à 1939 et de 1944 à 1959 prendra toutes les formes et les allures possibles et imaginables. Ce portrait qu’il fait du Chef a traversé le temps, sorte d’image d’Épinal du Québec des années d’après-guerre. Or Robert La Palme ne fut pas qu’antiduplessiste. De 1963 à 1988, il fut l’instigateur du Salon international de la caricature qui se tient à Montréal, dont le mandat est d’assurer le rayonnement de la caricature. L’œuvre et l’engagement de Robert La Palme ont ainsi laissé une trace tangible dans le paysage culturel québécois.
« Les femmes et la politique dans les caricatures de Robert La Palme, 1943-1951 », Revue d’histoire de l’Amérique française, vol. 63, nos 2-3 (automne 2009 – hiver 2010), p. 361-387.
De 1943 à 1951, Robert La Palme présente sa vision caustique de l’actualité à travers des milliers de caricatures au... more De 1943 à 1951, Robert La Palme présente sa vision caustique de l’actualité à travers des milliers de caricatures au sein du Canada, un journal d’élite. Ses caricatures paraissent alors que les femmes investissent l’espace public et obtiennent des droits politiques au Québec. Dans son théâtre, le caricaturiste fait intervenir une panoplie d’acteurs, dont les femmes, lesquelles sont représentées sous la forme de femmes ordinaires, de personnages symboliques, et de caricatures grotesques de responsables politiques. Pour rejoindre un lectorat d’élite, soit La Palme adopte leur langage, soit il adapte le sien au leur. Aussi, le caricaturiste met-il en scène des rapports de genres conventionnels dans son oeuvre, où prime l’idéal domestique de la femme. Certains métiers, certains rôles de la femme sont ainsi valorisés, d’autres dévalorisés, voire ignorés. En fait, certains types de femmes n’apparaissent tout simplement pas dans le champ de vision du caricaturiste, comme si elles n’existaient pas.

