REMEMBERING MERLIN STONE, 1931-2011 by Carol P. Christ
Originally published on Feminism and Religion project
In the beginning…God was a woman. Do you remember?” Feminist fore-mother and author of these words Merlin... more
In the beginning…God was a woman. Do you remember?” Feminist fore-mother and author of these words Merlin Stone died in February last year.
I can still remember reading the hardback copy of When God Was a Woman while lying on the bed in my bedroom overlooking the river in New York City early in 1977. The fact that I remember this viscerally underscores the impact that When God Was a Woman had on my mind and my body. Stone’s words had the quality of revelation: “In the beginning…God was a woman. Do you remember?” As I type this phrase more than thirty-five years after first reading it, my body again reacts with chills of recognition of a knowledge that was stolen from me, a knowledge that I remembered in my body, a knowledge that re-membered my body. My copy of When God was a Woman is copiously underlined in red and blue ink, testimony to many readings.
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Moving Feminism: How to 'trans' the national?
Introduction to 'Transnational Feminisms' Special Issue of 'Women: A Cultural Review'
The Veil of Nationalism: Frantz Fanon's "Algeria Unveiled" and Gillo Pontecorvo's The Battle of Algiers
Kunapipi: Journal of Post-Colonial Writing, 25 (2). pp. 56-73. ISSN 0106-5734
Well-Behaved Women Seldom Make History, But Obedient Ones are Rewarded in Heaven: An Examination of the Re-Invention of the Bengali Tradition of Sati By Michele Stopera Freyhauf
originally published on the Feminism and Religion Project
Well-Behaved Women Seldom Make History is a book authored by Laurel Thatcher Ulrich. This has become a... more
Well-Behaved Women Seldom Make History is a book authored by Laurel Thatcher Ulrich. This has become a well-known phrase used by most feminists to imply a meaning of disobedience or stance against the patriarchal structure of society. Often in error, the credit of the invention of this phrase is attributed Eleanor Roosevelt and Marilyn Monroe. Their image, and especially the image of Monroe, will often appear with the slogan on merchandise as a means of marketing and raising revenue. Ironically, reinvention or reuse is prevalent in history when it comes to tradition or ritual for the same reason – monetary gain. This practice is common and the benefit of reinventing or reinterpreting an old tradition is an automatic connection to the past giving continuity, which, according to Eric Hobsbaum, instills strong “binding social practice,” (p. 10) including loyalty and duty in the members of the group. This is especially effective in manipulating the poor and uneducated who usually display strict obedience and blind acceptance of tradition. The Bengali reinvented tradition of satî is an example of this.
Gayatri Chakravorty Spivak looks at the ritual of satî in her essay “Can the Subaltern Speak?” Examining the historiography of this tradition through post-colonial deconstruction, Spivak reveals that the ritual of satî in Bengali tradition as an invented tradition rooted in hegemony. Externally, this tradition is a façade, presented to the outside world as an ancient tradition of ritual p
urity and means of cultural preservation. Internally, it is anything but pure; it is a means of power and control over the subaltern widow, which through self-immolation on her husband’s funeral pyre, results in the forfeiture of inherited property she is entitled to upon her husband’s death.
Well-Behaved Women Seldom Make History: An Examination of the Bengali Tradition of Sati
Paper written from a Historiographical standpoint.
This paper was inspired by Spivak's work on the Subaltern and applies theories of Foucault, Althusser, Thompson,... more This paper was inspired by Spivak's work on the Subaltern and applies theories of Foucault, Althusser, Thompson, Barthes, Levi-Strauss, and Gairola to examine why the ritual of Sati was constructed as "tradition" by the Bengali's. In the end, I suggest that the ritual was invented because of women's ability to inherit from their husbands. Some theories also hold that the elimination of women eliminated burdens on society for their care.
Review of Cowboys in Paradise (Film). 2009. Directed by Amit Virmani. Singapore: Coup Communications. 82 minutes.
by Adeline Koh
Published in "Films for the Feminist Classroom" Fall 2011, 3.2
This review discusses how "Cowboys in Paradise," a documentary about the growing male sex trade in Bali,... more This review discusses how "Cowboys in Paradise," a documentary about the growing male sex trade in Bali, Indonesia, can be successfully used to teach the politics of minority and international feminism in Women and Gender Studies courses.
The dark continent of the postcolonial woman
The Martiniquean writer and activist Frantz Fanon has famously described the process of formation and being of the... more The Martiniquean writer and activist Frantz Fanon has famously described the process of formation and being of the so-called ‘colonial subject’ from a psychoanalytic perspective. One of the main objections against his view of colonialism is however its complete disregard of the female colonial subject. Ania Loomba (2005) adresses this issue from various angles, and in this essay I discuss the issue further, asking to what degree the critique of Fanon’s absence of gender sensitivity is relevant to postcolonial studies.
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Seen by:Sisterhood on the basis of what? An essay on Chandra Mohanty's Third World feminism
In her book „Feminism Without Borders‟ (2003), Chandra T. Mohanty re-defines feminism so as to cohere with the needs... more In her book „Feminism Without Borders‟ (2003), Chandra T. Mohanty re-defines feminism so as to cohere with the needs and demands of what she calls „Third World Women‟. In this paper, I discuss Mohanty‟s project of global feminism, and seek to understand, whether her own premises for feminism are valid, in the light of her own critique.
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Seen by:Rey Chow Interview
by Paul Bowman
A version of an interview first published in Social Semiotics, Vol. 20, No. 4, September 2010, 455-465 A version of an interview first published in Social Semiotics, Vol. 20, No. 4, September 2010, 455-465
Image, Affect and Memory: Relations of Looking in Tracey Moffatt’s beDevil!
In Southerly 65/1, 2005: 81-90.
AFRICAN WOMEN AND FEMALE CIRCUMCISION-SOME REFLECTIONS
Look through the blog and you'll find the paper.

