Organ And Historical Keyboards (E.G., Harpsichord)

Of Cyborgs and Clavichords: Nature and Technology in Björk's "All is Full of Love"

by Jacob Sagrans

Written April 2012 for a seminar on eighteenth- and nineteenth-century keyboard technology at McGill University, taught by Dr. Tom Beghin

La excma. Diputación, el Arzobispado y la Universidad de Valladolid: diez años de intervención conjunta e integral sobre el patrimonio organístico de la provincia

by Mikel Díaz-Emparanza

Congreso Nacional Organo Hispano 2011
Authors: Nieto Miguel, Ignacio & Díaz-Emparanza Almoguera Miguel

La presente comunicación pretende dar a conocer las actividades derivadas de las líneas de actuación del convenio de... more La presente comunicación pretende dar a conocer las actividades derivadas de las líneas de actuación del convenio de colaboración firmado entre la Diputación Provincial, el Arzobispado y la Universidad de Valladolid para la «promoción, difusión y restauración de los órganos barrocos de la Provincia de Valladolid». Nos adentraremos en los antecedentes de la firma de este convenio a través de las actividades que, desde la universidad de Valladolid, se han venido realizando en los últimos veinticinco años en torno al órgano de tubos en el ámbito regional. Finalizaremos defendiendo la pertinencia de una intervención en el patrimonio organístico siguiendo el modelo de colaboración expuesto. Un modelo que contempla tres etapas: conocimiento y estudio de los instrumentos, proceso de restauración de algunos de ellos y su puesta en valor futura.

A quest for Bach’s ideal style of organ temperament

by Mark Lindley

Published in “Stimmungen im 17. und 18. Jahrhundert: Vielfalt oder Konfusion?” (1997; “Michaelsteiner Konferenzberichte,” v.52).

The audio recordings which were presented in the conference are now accessible via www.sim.spk-berlin.de/wtc.

Early 16th-century keyboard temperaments

by Mark Lindley

Published in “Musica Disciplina,” v.28 (1974).

Grosvenor Chapel and the 18th-century English organ

by Mark Lindley

Co-author: William Drake.

Published in “BIOS Journal” (the journal of the British Institute of Organ Studies) 15 (1991).

Enige herziene neo-barokstemmigen

by Mark Lindley

Published in “Het Orgel,” 90 (1994).

La tecnica degli strumenti da tasto nel ’500 e nel primo ’600

by Mark Lindley

Published in the journal “Musica Antica,” v.1/2 (1991)

Tradotto da “Renaissance keyboard fingerings.” L’inizio della materia è riprodotto qui.

Instrument restoration

by Mark Lindley

Published in the OUP journal, “Early Music,” v.5/2 (1977).

Grosvenor Chapel and the 18th-century English organ

by Mark Lindley

Published in “BIOS Journal” (the journal of the British Institute of Organ Studies) 15 (1991). Co-author: William Drake.

Interview with Ton Koopman

by Uri Golomb

Originally published in Goldberg Early Music Magazine 24 (September 2003): 42-51

The Keyboard Music of Jean-Philippe Rameau: Is This Viable on the Piano?

by graham fitch

Celebrating the Buxtehude Tercentenary: A Review of New Organ Recordings

by Mark Ferraguto

Keyboard perspectives: Yearbook of the Westfield Center for Historical Keyboard Studies, Vol. 1 (2007), 153-159.

A review essay of some recent Buxtehude recordings, issued to coincide with the three-hundredth anniversary of the... more A review essay of some recent Buxtehude recordings, issued to coincide with the three-hundredth anniversary of the Lübeck organist's death. It considers changing approaches to interpretation and the evolving relationship between players and the historic and modern instruments at their disposal.

Preface to Ut Orpheus' Edition of The Well-Tempered Clavier I

by David Aijon

'Poglietti's Ricercare: Open-Score Keyboard Music and the Implications for Ensemble Performance.' Early Music Performer 20 (2007): 10-15.

by Robert Rawson

An historical survey of meantone temperaments

by Mark Lindley

Published in Vol. 8 (1990) of Early Keyboard Journal

Ricercari Per Organo (1602): Versione Con Le Diminuzioni Tratta Dall'Intavolatura Tedesca Di Torino

by Candida Felici

Le intavolature tedesche di Torino e Padova: un caso di stretta parentela?

by Candida Felici

published in «L'Organo» XXXVII (2004): 155-168

This article focuses on the two 17th-century German keyboard tablatures preserved in Italy and demonstrates that they... more This article focuses on the two 17th-century German keyboard tablatures preserved in Italy and demonstrates that they are strictly connected.