Musizieren und Komponieren in süddeutschen Frauen- und Männerklöstern. Bedingungen und Begrenzungen

by Barbara Eichner

published in 'Das Kloster. Ort kulturellen Handelns von Frauen in der frühen Neuzeit', ed. Susanne Rode-Breymann (Cologne, Weimar: Böhlau, 2009), pp. 93-115.

Sweet singing in three voices: a musical source from a South German convent?

by Barbara Eichner

published in 'Early Music' (August 2011), as part of a themed issue 'Women and the Sacred'.

Mères, muses et religieuses: transmission musicale et magistère féminin au Moyen Âge

by Josemi Lorenzo

published in “Clio. L'Histoire des femmes en revues France-Europe” (2002), nº 16, pp. 167-193. ISSN 1777-5299

Download (.pdf) (2082kb) Quick view View on clio.revues.org

Women Vowed Religious as the Embodiment of "The Sacraments at the Service of Communion" as Defined by the Catechism of the Catholic Church and the Second Vatican Council

by Michele Stopera Freyhauf

This paper was my Senior Capstone Project at Ursuline College for by Bachelor of Arts Degree

This paper explores the definition of sacrament and Sacrament. It also looks at the mission and role of the Vowed... more

El manuscrito 3016 del Arxiu del Regne de València. Una nueva fuente para la polifonía del siglo XVI

by Ferran Escriva-Llorca

Coauthor: Josep Antoni Alberola Verdú

Revista de Musicología 2011

Con la signatura CLERO, Libro 3016 se encuentra en el Arxiu del Regne de València un manuscrito de polifonía de... more

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