Museum and Heritage Studies

Semedo2010_Estudos e gestao de colecções praticas de formação e investigação

by Alice Semedo

ETHNOMUSICKING: A VALUED MUSIC OCCUPATION OR AUDACIOUS ANTICS IN THE PURGA MUSIC MUSEUM

by Sandra Kirkwood

This paper appears was delivered at the Cultural Diversity in Music Education Conference held at the Sydney Conservatorium of Music on 11 January, 2010. It appears in the Conference Proceedings -- peer reviewed and accepted for publication 31 October, 2009.

Music history research of Indigenous and Scottish groups in Ipswich, Australia, reveals that people have had varying... more Music history research of Indigenous and Scottish groups in Ipswich, Australia, reveals that people have had varying levels of access and engagement in music making that is related to their music heritage and culture. There is no suitable terminology to describe this active cultural engagement, so I propose the term ‘ethnomusicking.’ In this paper I will outline my concept of ethnomusicking and discuss examples from participatory action research. The aim is to critically analyse the social significance of ethnomusicking and the role of the music museum curator in facilitating community-based education – particularly the design of programs for reconciliation and healing.

Industrial Heritage - Eliciting Nostalgic Wealth

by Seth Kirby

Objects and Histories: Representations of Aboriginality In Exhibitions of Aboriginal Objects, 1855–1957

by Ilaria Vanni

Ways of seeing: the poetics and politics of exhibiting Italian Australian cultures in Sydney

by Ilaria Vanni

Studi di Italianistica nell'Africa  Australe/Italian Studies in Southern Africa, pp. 99-121

In 2001 I was commissioned to curate an exhibition on Italian cultures in Sydney by the Museum of Sydney. I worked... more In 2001 I was commissioned to curate an exhibition on Italian cultures in Sydney by the Museum of Sydney. I worked with the museum, the Historic Houses Trust of New South Wales and with many community groups, families and individuals who were influential in establishing Italian cultures in Sydney. This article traces my negotiation through institutional and community politics and aesthetics.

Semedo2006_Museus políticas de representação e zonas de contacto

by Alice Semedo

Semedo_noronha2009_Plataformas e outras conversações web quê_enviado

by Alice Semedo

Colóquio de Museologia Industrial Reconversão e Musealização de Espaços Industriais, Porto, 2002-Reconversão e musealização de espaços …

by Alice Semedo

coords (2006)–Museus: Discursos e Representações

by Alice Semedo

I Seminário de Investigação em Museologia dos Países de Língua Portuguesa e Espanhola I Seminario de Investigación en Museología de los Países de Habla

by Alice Semedo

Poéticas de la profesión museológica en Portugal

by Alice Semedo

Cuestiones sobre democracia y otros hechizos:(Des) armonía en los museos

by Alice Semedo

O panorama profissional museológico português: algumas considerações

by Alice Semedo

Práticas (i) materiais em Museus

by Alice Semedo

Política de gestão de colecções

by Alice Semedo

Que museus universitários de ciências físicas e tecnológicas

by Alice Semedo

The Professional Museumscape: Portuguese Poetics and Politics

by Alice Semedo

formação em museologia_círculos e outras geometrias_alicesemedo_2011

by Alice Semedo

ACSIS_JUNE_2011

by Alice Semedo

Symposium exhibition proposal

by John Rexine, Jr.

Museums Studies, Tufts University, 2010. Final project for "Historical Interpretation of Material Culture" class, in the form of an exhibition proposal to a fictitious granting agency. Based on an interpretation of an Attic kylix in the collection of the Museum of Fine Arts, Boston. Must download to see all texts in package.