Creation and Typology Definition of the Museum on the Internet
By Niksa Svilicic
/Croatian Audiovisual Center, Zagreb, Croatia
Through advancing new technology, perspective of museum institution and museum profession is changed. The con- tent... more Through advancing new technology, perspective of museum institution and museum profession is changed. The con- tent analysis and analyze of used terminology by online users will show us which term is the most used between frequently used terms such are: online, electronic, web, internet, digital, virtual and cyber museums. This scientific paper suggests that online users don’t differ mentioned terms while they search for museums on Web. Using the appropriate »prefix« in order to better describe the typology of a museum on the Web is the first step in designing the future of the museums and certainly encourages serious approach in to the study of the new museum »entities«.
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Seen by:Toward the Synchronized Experiences between Real and Virtual Museum
Yong-Moo Kwon, Jie-Eun Hwang,
Tae-Sung Lee, Min-Jeong Lee, Jai-Kyung Suhl, and Sae-Woon Ryu
Imaging Media Research Center, Korea Institute of Science & Technology
Seoul, Korea
ymk@cherry.kist.re.kr
This research starts from the idea that through synchronized experiences between real and
virtual museum, users... more
This research starts from the idea that through synchronized experiences between real and
virtual museum, users can achieve thorough comprehension on the heritage. We
investigated the virtual museum by constituting the concept of virtual museum with the
reciprocal real museum. Based on the fundamental purpose and role of the museum, we
suggested a model of a virtual museum composed by a virtual museum server and
interface orbit. A user can contact the virtual museum services in the virtual museum
server through various devices as interfaces. For the future works, we are developing
“Virtual Namsan” integrated with technologies mentioned in this paper.
Specimens versus sequences [Science]
Letter published in 'Science'
In his Perspective “GenBank—natural history in the 21st century?” (24 October 2008, p. 537), B. J. Strasser claims... more
In his Perspective “GenBank—natural history in the 21st century?” (24 October 2008, p. 537), B. J. Strasser claims that GenBank follows the tradition of natural history studies. I argue that GenBank is inconsistent with some important aspects of the tradition of natural history and it alone does not and will not constitute natural history.
First, GenBank has been designed to store molecular information about model organisms or humans, whereas natural history serves to explore and document biodiversity. GenBank's format is incapable of handling unique aspects of biodiversity studies such as diverse and large collections of specimens, and taxonomic uncertainties and revisions. Second, GenBank does not require vouchering of specimens, DNA extracts, or other molecular products, whereas the study of natural history always anchors information with specimens. Without such anchoring, revisionary work (which is part of the tradition of natural history) cannot be conducted. As a result, GenBank contains a considerable amount of unidentified or misidentified sequences (1–3). Third, GenBank is unlikely to reach amateurs in the way that natural history has. Study of natural history generally does not require expensive equipment and is exciting and rewarding. In comparison, DNA sequencing is costly, offers little aesthetic reward or recreational value, and requires specialist knowledge. It is hard to imagine amateurs comparing or exchanging their collections of DNA sequence instead of actual specimens.
Natural history documentation has many important facets, such as specimen locality data, images of morphology, and ecological notes. The Global Biodiversity Information Facility (http://www.gbif.org/) and Morphbank (http://www.morphbank.net/) are good examples. Specimen collections will continue serving as the primary record of natural history and biodiversity, while molecular data are supplementary.
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Seen by:Ι. Μόσχος, Ο Μυκηναϊκός πολιτισμός της δυτικής Αχαΐας στο Νέο Αρχαιολογικό Μουσείο των Πατρών
Published in Οι Φίλοι του Αρχαιολογικού Μουσείου, Μάιος 2009, pp. 10-12.
Αρχαιολογικό Μουσείο Πατρών
Co-authored with N. Ralli
Published in METROPOLITAN 75, Aug. 2009, pp. 34-35.
Collecting Relations in Melanesia: making a contemporary collection in the Western Highlands of Papua New Guinea.
Journal of Museum Ethnography, No. 23 (2010), pp. 7-20.
http://www.museumethnographersgroup.org.uk/index.php?option=com_conten
"In this paper I examine the response of Peter Kinjap, a Mondika man from Alkena village in the Western Highlands... more "In this paper I examine the response of Peter Kinjap, a Mondika man from Alkena village in the Western Highlands Province of Papua New Guinea, to the British Museum's collection from his province. A major concern to emerge for Kinjap on viewing the objects was the lack of representation of his tribe Mondika, in the collection. His response focused on this absence, rather than on challenging any perceived institutional or academic authoritative claim on the part of the museum to represent the "other". Towards the end of his visit, Kinjap suggested making a bilum (string bag) collection from his home village for the museum. I discuss here the issues and concerns faced by Kinjap in confronting the absence of a Mondika collection, and subsequently in the making of the bilum collection for the museum."
Yohji Yamamoto and the Museum: a Contemporary Fashion Narrative
Published in 'Yohji Yamamoto,' edited by Ligaya Salazar (London: Victoria and Albert Museum, 2011), 102-127.
working with subject of Holocaust. Experience and narrative of museum guides - comparative study in Auschwitz-Birkenau Memorial Site and State Museum in Poland, and the Yad Vashem Institute in Israel
presented in Berlin on International Symposium „Perceptions of the Holocaust and Contemporary Antisemitism" [http://iibsa.org/cms/index.php?id=83&L=1]
Exhibition Review: Histoire Idéale de la Mode Contemporaine Vol. 1
Published in 'Fashion Theory. The Journal of Dress, Body and Culture,' vol. 16:1 (March 2012), 89-98.
Памяць і забыццё: ушанаванне герояў Брэсцкай крэпасці.
Published in:
Сіябган Дусэт, Андрэй Дынько, Алесь Пашкевіч (ред.): Вяртанне ў Еўропу: Мінулае і будучыня Беларусі. Варшава 2011.
(Кристиан Ганцер: Память и забвение: Культ героев в Брестской крепости) (Кристиан Ганцер: Память и забвение: Культ героев в Брестской крепости)

