Tipologías de la equivocatio en la lírica gallego-portuguesa: Equivocatio in verbis singulis
Published in "La Corónica", 38.1 (fall 2009)
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Seen by:Die 'Rethorici Colores' des Magisters Onulf von Speyer
published in Mittellateinisches Jahrbuch 40 (2005)
Critical edition and introdution to Onulf of Speyer's 'Rethorici colores'. Critical edition and introdution to Onulf of Speyer's 'Rethorici colores'.
Le passage de la lecture oralisée à la lecture silencieuse: un mythe ?
by Hélène Haug
in Le Moyen français, 65 (2009), pp. 1-22.
ŞEYH BEDREDDİN HAREKETİNİN MANİFESTOSU OLARAK “VARİDAT”
by barış çoban
• “Şeyh Bedreddin Hareketinin Manifestosu Olarak ‘Varidat’”. “Tarih, Ütopya, İsyan: Şeyh Bedreddin”. (Der: B. Çoban). Su Y. Kasım 2007.
Crossroads of Latin and Greek Christians in Norman Italy: Byzantine Italy and Reciprocal Influences between Greek and Latin Chant (11th-13th Century)
Paper given at the International Musicological Conference "Crossroads: Greece as an Intercultural Pole of Musical Thought and Creativity (Thessaloniki, 2011, June 6-10): http://crossroads.mus.auth.gr/
draft only (last update, 7 March 2012)
Latin traditions in southern Italy, especially Beneventan and Norman chant traditions, followed in chant as well as in... more
Latin traditions in southern Italy, especially Beneventan and Norman chant traditions, followed in chant as well as in architecture Byzantine prototypes. Although the historical imagination of the Orthodox Archdiocese Italy and Malta associates the Norman conquest of Byzantine Apulia with the expulsion of Greek traditions, Greek monastic centres were established under Norman rule and Franconorman patrons founded and supported also Greek monasteries, while the process of Latinization continued very slowly.
Though the relationship between Greek and Latin Christians was ambiguous and complex, the richness of local traditions in southern Italy is the result of a long period of exchange. In a comparative study I would like to give some examples of chant and sacral architecture, which may illustrate, how the different traditions could flourish by an exchange in craftship, in science, and in the art of chant.
The main subject of this essay is the conversion of Bari from a Greek into a Latin centre of Christianity. This town located in central Apulia, played a central role in the medieval history of southern Italy, because it was the capital of the Byzantine catepanate which ruled over the three Byzantine provinces (themata) including Calabria, Basilicata and Campania. After the Norman conquest of the catepanate Bari could still hold a key position, the reliquaries of S. Nicola were transferred from Myra in Lycia and turned the capital of Byzantine Italy into a centre of Eastern and Western pilgrimage.
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