Te whakamahi i te kupu rangatiratanga i te tekau mā iwa o ngā rautau.

by Lachy Paterson

He Pukenga Kōrero, 10:1 (2011), pp. 17-24.

[Written in Māori.  He mea tuhituhi i roto i te reo Māori]
"Rangatiratanga" is a derived noun from... more

Nga Tamatoa and the Rhetoric of Brown Power: Re-Situating Collective Rhetorics in Global Colonialism

by Lachy Paterson

By Sharon Stevens and Lachy Paterson.  In Darin Payne and Daphne Desser (ed). Teaching Writing in Globalization Remapping Disciplinary Work, Lanham: Lexington Books, pp. 17-38.

CALL FOR PAPERS, JEASA 3.2 Special Issue - Indigenous marriage, family and kinship in Australia, Aotearoa New Zealand and the Pacific: the persistence of life and hope in colonial and neo-colonial contexts.

by Victoria Grieves

This edition of JEASA aims to focus on the development of the Indigenous/mixed race family in Australia, New Zealand... more

The meaning of 'colour': photography and portraiture, 1889-1904

by Angela Wanhalla

published in Early New Zealand Photography: Images and Essays, edited by Angela Wanhalla and Erika Wolf, Otago University Press, 2011.

The Kohimarama Conference of 1860: A Contextual Reading

by Lachy Paterson

Journal of New Zealand Studies, NS12 (2011): 29-46.

Paradoxically, the Kohimarama Conference of 1860 stands in contemporary historiography as a shining example of Maori... more

Permission to get inked - who were allowed to get tattooed in traditional societies?

by Sophie Andersson

Short essay, in Sweden called a B-level essay (2011)

This essay is about tattoos in traditional societies, more specific amongst the Maori people of New Zealand. This... more

Print Culture and the Collective Maori Consciousness

by Lachy Paterson

Journal of New Zealand Literature, 18:2 (2010), pp. 105-129.

Although literacy and print were essential tools of the New Zealand colonial project ultimately designed to... more

Music Transculturation and Identity in a Maori Brass Band Tradition

by David Hebert

Hebert, D. G. (2008). Music Transculturation and Identity in a Maori Brass Band Tradition. In R. Camus & B. Habla, (Eds.), Alta Musica, 26 (pp. 173-200). Tutzing: Schneider.

Keywords: Maori music / Brass bands / Ratana bands / Juji Nakada

Genre: Original cross-national historical... more

Ngā reo o ngā niupepa: ngā niupepa Māori, 1855-1863

by Lachy Paterson

PhD thesis (University of Otago, 2004) Māori-language version

Nö te tau 1855, ka noho tonu te nuinga o te iwi Mäori i runga i ngä tikanga Mäori, käore e tino raweketia ana e te... more

Reweti Kohere's Model Village

by Lachy Paterson

Published in New Zealand Journal of History, 41, 1 (2007), pp. 27-44.

Rēweti Kōhere’s paper on a hypothetical model Māori village at a Te Aute College Students Association conference in... more

Māori "Conversion" to the Rule of Law and Nineteenth-Century Imperial Loyalties

by Lachy Paterson

Published in Journal of Religious History, 32, 2 (2008), pp. 216-233.

Missionaries were among the first Europeans to interact with the New Zealand Māori, bringing an evangelical message... more

Nga Reo o ngā Niupepa, Māori-language newspapers, 1855-1863

by Lachy Paterson

PhD thesis (University of Otago, 2004) English-language version

By 1855, most Mäori still lived in a tribal setting, with little official Päkehä interference. This would have been as... more

Hawhekaihe: Māori Voices on the Position of 'Half-castes' in Māori Scoiety

by Lachy Paterson

Published in Journal of New Zealand Studies, NS9 (2010), pp. 135-156

The essay first provides a quantitative over-view of Māori discussion of hāwhekaihe (half-castes) within the... more

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