“The Dybbuk, The Golem, and Rabban Yohanan ben Zakkai: Repertorial Intertextuality in Nathan Bistritzky’s On This Night.” [Hebrew].
In: Habima – New Studies on National Theatre. Eds.: Gad Kaynar, Dorit Yerushalmi and Shelley Zer-Zion. Tel-Aviv: Resling. (forthcoming)
Review. [Benjamin Harshav. The Moscow Yiddish Theater: Art on Stage In the Time of Revolution. New Haven: Yale University Press, 2008. xiii, 199 pp.]
AJS Review 33:1 (April 2009), pp. 215-218.
"The Stage as a Space for Midrash: Theatre and the Jewish Hermeneutic Project."
Assaph: Studies in the Theatre 22-23 (2008). pp. 11-23
[Special Issue: Jewish Theatre - Tradition in Transition and Intercultural Vistas]
"The Dybbuk's Body: Traditions, Revolutions, Crises." [Hebrew]
In: "Do Not Chase Me Away": New Studies on the Dybbuk. Eds: Shimon Levy and Dorit Yerushalmi. Tel-Aviv: Tel-Aviv University Press (2009), pp. 137-162.
Another version of this paper appeared as:
"The Dybbuk: The Jewish Body in the Entanglement of Tradition and Modernity." In: The Michael Book: Between This Time and Yesterdays. Ed.: Avi Sagi. Jerusalem: Keter and Reches, 2007. pp. 545-586.
"Embodied Redemption: Past, Future and Acting in Habima's The Golem." [Hebrew]
Reshit 1 (2009), pp. 279-304.
"The Poetics, Politics and Performance of Hallakha in Hasfari's Trilogy (Kiddush, Chametz, Shiveah)." [Hebrew]
In: Second View: Israeli Drama Revisited. Eds.: Zehava Caspi and Gad Kaynar. (forthcoming)
"'The Dead Should Not Be Excluded From Any Celebration': The Queer Body's Lamentation in Tony Kushner's Angels in America and A Dybbuk." [Hebrew]
In: Between Worlds: Dreams and Dybbuks. Eds.: Rachel Elior, Yoram Bilu, Yair Zakovitch and Avigdor Shinan. Jeruslaem: Magnes, 2012. (forthcoming)

