History of Literature as a Discipline
Lusoga Essay Series: Okwanghanga enimi dh'obuzaale n'engeri y'okukikolamu
To be published in Lusoga journal "Amakobo" soon.
This essay is the first in the series to be written in Lusoga. It is intended as a sample for those studying Lusoga... more This essay is the first in the series to be written in Lusoga. It is intended as a sample for those studying Lusoga language and literature in high school. It raises the fundamental question of language policy in Uganda and give 25 reasons why Lusoga should be promoted and this should be done. This paper has deliberately left out the references which will appear in the journal.
Frivoli passatempi. I generi narrativi nella Storia di Francesco De Sanctis
published in "Paradigmi e tradizioni", a cura di A. Quondam, Roma, Bulzoni, 2005, pp. 67-80
“Philology as Blood Sport: The Romanic Review’s First Decade”
Romanic Review 101, 1-2 (2011): 79-93.
The article tells the story of Romanic Review’s first decade. During these formative years, the review became the... more The article tells the story of Romanic Review’s first decade. During these formative years, the review became the North American venue for the dissemination of a scholarly discipline still viewed in 1910 as something of an upstart, only to emerge ten years later as a firmly entrenched, academic program. Romanic Review’s role in moving Romance philology from margin to center hasn’t been told. But it makes fascinating reading.
Multiple Arcadias and the Literary Quarrel between Fulke Greville and the Countess of Pembroke
by Joel Davis
Studies in Philology 101 (2004): 401-430. Reprinted in Mary Sidney, Countess of Pembroke, ed. Margaret P. Hannay (Surrey: Ashgate, 2009), 285-314.
This article frames the 1593 folio Arcadia, published under Mary Sidney Herbert’s sponsorship, as a direct response to... more
This article frames the 1593 folio Arcadia, published under Mary Sidney Herbert’s sponsorship, as a direct response to the 1590 quarto of The Countesse of Pembrokes Arcadia, published under the aegis of Philip Sidney’s friend Fulke Greville. The editorial apparatus of 1590 quarto presents the Arcadia as a feigned history to be studied for Tacitean Neo-Stoic political and moral guidance, drawing attention to intellectual affinities with the circle of Robert Devereux, the Earl of Essex. The 1593 folio, in contrast, rejects the 1590 quarto as the shoddy work of men who cannot appreciate Philip Sidney’s true worth, presents the Arcadia as part of the legacy of the Sidney family, and links the Arcadia to the Sidney family’s continental fellow-travelers.
The article is available in .pdf format via the MLA Bibliography, JSTOR, and Project MUSE.
Translation (2003) of Boris Tomashevskii, "The New School of Literary History in Russia."
by David Gorman
With introduction. Original published in 1927

