Hercules

Cultul lui Hercules in asezarile romane din zona Posta-Telita (judetul Tulcea)

by Peuce Journal

Baumann V.H. in Peuce 10, 1990

Commodus: an emperor at the crossroads

by Olivier Hekster

The constraints of Tradition: depictions of Hercules in Augustus' reign

by Olivier Hekster

In C. Gazdac et al. (Eds.), ORBIS ANTIQVVS. Studia in honorem Ioannis Pisonis (Bibliotheca musei Napocensis, 21) (pp. 235-241). Cluj-Napoca: Napocae (2004).

Fingerringe der Römer (Beitrag zur Problematik der slowakischen Funde)

by Mirka Daňová

in: ANODOS 3/2003, 33-38, Trnava, 2004

The studied group of Roman rings includes 110 pieces from private and museum's collections and from the excavations in... more The studied group of Roman rings includes 110 pieces from private and museum's collections and from the excavations in the territory of Slovakia. They can be divided into l0 basic
Typological groups. Between them are more unique fingerings like Mithras ring from Brigetio surroundings or iron ring with Hercules intaglio from lža-Leányvár.

(At present I would write some details another way, but this is how it was published.)

The Pillars of Hercules: An analysis of the 'impresa' of the Emperor Charles V (2009)

by Natalia Agapiou

Paper presented at the workshop "The Mediterranean and its Seas: Natural, Social, Political Landscapes and Environments", organized by the University of Athens and the University of Minnesota, in Athens, 1-3 October 2009.

Marmora Nepolitana: sculture <<ritrovate>> da Napoli romana.

by Armando Cristilli

Published in 'Oebalus. Studi sulla Campania nell'Antichità', 1, 2006, pp. 157-198.

Roman sculpture of Naples is always considered only on the basis of few samples, the most part of which is housed in... more Roman sculpture of Naples is always considered only on the basis of few samples, the most part of which is housed in the city's National Archaeological Museum. They have become paradigm of the art of Naples in Roman age, omitting a lot of others samples. To remedy to this problem, in this article are examined eight statues which were found between the end of the 19th and the beginning of the 20th century, and of which we've had notices only by bibliographical and archival sources and not identified yet.

The bronze bowl from Nowe Objezierze - archaeological contribution to the history of intellectual culture in medieval Western Pomerania

by Andrzej Janowski

[in:] Kultura ludów Morza Bałtyckiego, vol. 1. Starożytność i średniowiecze, Mare Integrans. Studia nad dziejami wybrzeży Morza Bałtyckiego, eds. M. Bogucki, M. Franz, Z. Pilarczyk, Toruń, 2008, pp. 140-160.

Sceny mitologiczne na misie brązowej z Nowego Objezierza i źródła ich inspiracji (text in Polish with summary in English: Mythological Scenes depicted on a Bronze Bowl from Nowe Objezierze and the sources behind their inspiration)

by Andrzej Janowski

(co-autor S. Słowiński), Biuletyn Historii Sztuki, vol. 70, no. 1-2, 2008, pp. 141-162.

Herkules i Hydra - o wyobrażeniu na krążku z kości słoniowej z Ostrowa Tumskiego we Wrocławiu (text in Polish with summary in English: Hercules and Hydra - about image of an ivory disc from Ostrów Tumski in Wrocław)

by Andrzej Janowski

Przegląd Archeologiczny, vol. 56, 2008, pp. 117-124.

Propertius, Hercules, and the Dynamics of Roman Mythic Space in Elegy 4.9

by Diana Spencer

(2001), Arethusa 34.3: 259-84

Apollonius and Callimachus on Heracles and Theiodamas: A Metapoetical Interpretation

by Mark Heerink

QUCC (forthcoming)

Apollonius of Rhodes’ digression on Heracles and Theiodamas (Arg. 1.1211-20) alludes to Callimachus’ version of the... more Apollonius of Rhodes’ digression on Heracles and Theiodamas (Arg. 1.1211-20) alludes to Callimachus’ version of the story in his Aetia (fr. 24-5 Pf.). This article provides a metapoetical interpretation of the intertextual contact. The ways in which both poets deal with Heracles reveal the similar but different reactions of these “Callimachean” poets to the heroic-epic literary tradition.