Genetic Criticism

Bernard Spencer's Compositional Processes

by Nicola Abram

Forthcoming with Shearsman Books (2013).

"Explorations in Spaces of Writing"

by Hans Walter Gabler

(Prevented from publication in A Collideorscape of Joyce. [Festschrift for Fritz Senn.] ed. Ruth Frehner and Ursula Zeller. Dublin: Lilliput Press, 1998)

Joyce and the Case for Genetic Criticism

by Jed Deppman

Genetic Joyce Studies

The Problem of Genesis in the Texts of Joyce

by Jed Deppman

Hypermedia Joyce Studies

"Poetry in Numbers: A Development of Significative Form in Milton's Early Poetry."

by Hans Walter Gabler

published in 'Archiv' 220 (1983), 54-61.

Due to the fortunate survival of successive draft stages of a poem originally namled 'Song' and finally entitled... more Due to the fortunate survival of successive draft stages of a poem originally namled 'Song' and finally entitled "At a Solemn Musick," Miltonian revision in composition may be analyzed in terms of poetic language, prosody, and theme, as well as under the encompassing consideration of theories and Miltonian practice of numerology as bodying forth significative form.

Les livres, les textes et la critique.

by Hans Walter Gabler

Published in: Genesis 30|10 (Théorie: état des lieux), pp. 41-42.

A brief attempt at correlating the study of the book with texts, textual and literary criticism.

The... more A brief attempt at correlating the study of the book with texts, textual and literary criticism.

The publication in Genesis is a translation into French. The original English is here appended.

Theorizing the Digital Scholarly Edition

by Hans Walter Gabler

published online in: Literature Compass 7/2 (2010): 43–56; the special number "Scholarly Editing in the 21st Century" is accessible via http://www3.interscience.wiley.com/journal/117994384/home

The Synchrony and Diachrony of Texts: Practice and Theory of the Critical Edition of James Joyce's 'Ulysses'

by Hans Walter Gabler

Paper delivered at the inaugural conference of the Society for Textual Scholarship, New York, in 1981, and published in TEXT 1 (Transactions of the Society for Textual Scholarship, New York), 1984, 305-326.

The essay reflects on the critical implications of a scholarly edition's apparatus of variants. For examples, it draws... more The essay reflects on the critical implications of a scholarly edition's apparatus of variants. For examples, it draws on a short story of William Faulkner, on the manuscript development of John Milton's poem "At a Solemn Musick," and on James Joyce's Ulysses. Herein, it constituted at the time of delivery (1981) an advance notice of the apparatus rationale and design for the three-volume Critical and Synoptic Edition of Ulysses which, when published in 1984, coincided roughly with the publication of the essay.