Film

惑-SECTION: Review

by Eunice Seng

http://youtu.be/zrxd3YTrI94

A review of the film 惑-SECTION by Choi Kit Wang. A review of the film 惑-SECTION by Choi Kit Wang.

(2011) WtBDWK; representasi ide (sains) dalam media film yang tidak berhasil

by Undi Gunawan

Tulisan ini merupakan komentar pendek megenai film What the Bleep Do We (K)now!? (2004) (WtBDWK) dalam berbagai sisi. Tulisan ini merupakan komentar pendek megenai film What the Bleep Do We (K)now!? (2004) (WtBDWK) dalam berbagai sisi.

Motivational Factors for Downloading and Uploading of Pirated Film Products

by Pavel Janak

Proceeding of Scientific Papers of Postgraduate Students and Young Scientific Workers, University Publishing House, University of Zilina, Slovakia, ISBN 978-80-554-0400-4

This paper covers different aspects of film piracy. The main aim of the study is to recognize and explain various... more This paper covers different aspects of film piracy. The main aim of the study is to recognize and explain various motivational factors related to film piracy. The study proposes groups of economical, socio-psychological and other factors that could motivate individuals to engage in pirate activities.

Classification of Causes and Effects of Uploading and Downloading of Pirated Film Products

by Pavel Janak

ICCSA 2011: International Conference on Computer Science and Applications, World Academy of Science, Engineering and Technology, pISSN: 2010-376X, eISSN: 2010-3778

This paper covers various aspects of the Internet film
piracy. In order to successfully deal with this matter, it... more This paper covers various aspects of the Internet film
piracy. In order to successfully deal with this matter, it is needed to recognize and explain various motivational factors related to film piracy. Thus, this study proposes groups of economical, sociopsychological and other factors that could motivate individuals to engage in pirate activities. The paper also studies the interactions between downloaders and uploaders and offers the causality of the motivational factors and its effects on the film industry. Moreover, the study also focuses on proposed scheme of relations of downloading movies and the possible effect on box office revenues.

K ontologiji filma. O odnosu s fotografijo in časom

by Matej T. Vatovec

CFP: (Re)Locating the Frontier: International Western Films

by Cynthia Miller

An Intertextual Reading of The Hours: A New Retelling of Mrs. Dalloway

by Manou Cardon

Academic paper

Teaching Cultural Geography with Bend It Like Beckham

by Katie Algeo

The British film Bend It Like Beckham (2002) is pedagogically useful in the cultural geography classroom for engaging... more The British film Bend It Like Beckham (2002) is pedagogically useful in the cultural geography classroom for engaging students with core concepts, such as ethnicity, migration, acculturation, and assimilation, and with more advanced modes of analysis, such as the social construction of identity. Although the film depicts a particular ethnic community, British Sikhs in London, its representation of the betweenness of cultures is typical of the experience of many immigrants. This article provides background on Sikh religious belief, culture, and migration history to help viewers understand the rich cultural milieu depicted in the film. It models and provides suggestions for engaging students in critical analysis of the film in ways that highlight core cultural geography concepts.

Application of Motivational Factors for Uploading Films to Websites Ulozto.net and Piratebay.org

by Pavel Janak

ICCGMAT 2012 : International Conference on Computer Games, Multimedia and Allied Technology (Venezia, Italy April 11-13, 2012); World Academy of Science, Engineering and Technology, pISSN: 2010-376X, eISSN: 2010-3778

This paper studies, maps and explains the interactions
between downloaders and uploaders pertaining to the... more This paper studies, maps and explains the interactions
between downloaders and uploaders pertaining to the Internet film piracy. This study also covers several motivational factors that influence users to upload or download movies, and thus to engage in film piracy over the Internet. The essay also proposes a model that describes user behavior including their relationships and influences. Moreover, proposed theoretical interactions and motivational factors are applied to the real world scenario, using examples of a data storage webpage server Ulozto.net and webpage Piratebay.org gathering information about downloadable BitTorrents. Moreover, the theory is further supported by description of behavior of real Internet uploaders.

Theorizing film realism empirically (2009)

by Constantine Nakassis

New Cinemas, 2009.

Shakespeare, Cinema, and Literary Discourse in Chimes at Midnight and My Own Private Idaho

by Cameron Butt

undergraduate research essay published in The Albatross, 2012

By examining Orson Welles's Chimes at Midnight (1965) and Gus Van Sant's My Own Private Idaho (1991), this essay... more By examining Orson Welles's Chimes at Midnight (1965) and Gus Van Sant's My Own Private Idaho (1991), this essay explores how adapting Shakespeare's language into a cinematic medium plays out a sociological shift from a high to a low literary discourse.

Performing Countercultural Masculinity: Mick, Music, and Masquerade in _Gimme Shelter_

by Amanda Howell

GENDERS Issue 55

Analysis of 1970 rock documentary _Gimme Shelter_, focusing on gendered performances, especially those by Mick Jagger,... more Analysis of 1970 rock documentary _Gimme Shelter_, focusing on gendered performances, especially those by Mick Jagger, in the context of late 1960s youth and music cultures.

The Misogyny of Trümmer A New Reading of the Trümmerfilm

by Richard McKenzie

Presented at theThe 51st National Postgraduate Colloquium in German Studies 29th March

The post war Trümmerfilm forms a key part of German foundational iconography in relation to the immediate effects of... more The post war Trümmerfilm forms a key part of German foundational iconography in relation to the immediate effects of Germany’s defeat and capitulation in 1945.

Whether created in the Western or Soviet occupation zones this genre has been have been read as texts which begin the rehabilitation of the defeated Landser, begin the process of Vergangenheitsbewältigung and make the first tentative steps at attributing guilt for the catastrophe that befell Germany between 1933 and 1945. Key commentators, such as Pinkert and Silbermann, concentrate on the male experience, where female characters exist principally to rehabilitate and redeem their men folk.

Concentrating on Staudte’s Die Mörder sind unter uns this presentation will provide a new reading of the Trümmerfilm genre. This reading sees the role of the female characters less in a redemptive and more in a controlling negative role in which their independence and sexuality are employed to reduce and defeat the male characters essential masculinity. In this final battle of the German catastrophe the female characters are criticised for attempting to “civilise” the returning Landser in their own image and constraining his essential self.

Waiting to Set It Off: African American Women and the Sapphire Fixation

by Kimberly Springer

published in Reel Knockouts: Violent Women in the Movies, eds. Martha McCaughey, Neal King

Magnetic point group of the (nml) plates or films in the paramagnetic phase

by Bogdan Tanygin

Film und Paranoia – eine tentative Skizze

by Henry M. Taylor

Identità culturali e set cinematografici

by Giovanni Gugg

2010, “Identità culturali e set cinematografici. Paesaggi e personaggi lucani tra sguardi e narrazioni”, in “Mondo Basilicata. Rivista di Storia e Storie dell'emigrazione Lucana”, n.21, Consiglio Regionale della Basilicata, Potenza (Italia)

Aaron Sorkin’s Elite Smart Girls (or Lack Thereof)

by Kelli Marshall

In Media Res (30 Jun. 2011)

Looks at the last 30 seconds of Aaron Sorkin's Golden Globes acceptance speech (Best Screenplay, The Social Network)... more Looks at the last 30 seconds of Aaron Sorkin's Golden Globes acceptance speech (Best Screenplay, The Social Network) and considers the drastically different ways it was interpreted online (e.g., an apology for the film's misogyny, an ode to girl-power, falsely grounded in a fictional character, etc.).

Love That Just Can't Define Its Name Original

by John Alberti

Spending time with (a) celebrity: Sam Taylor Wood's Video Portrait of David Beckham

by catherine fowler