Contested spaces. Meaningful places. Contemporary performances of place and belonging in Spain and Brazil
by Maria Johanna Christina Krom
Published in "Journal of Ethnology and Folcloristics", 2009, Vol.3 (2).
This essay aims to contribute to current anthropological debate on space and place, analysing in two instances of... more This essay aims to contribute to current anthropological debate on space and place, analysing in two instances of festival performance how, on the one hand the poli- tics of appropriation of space contributes to the configuration of power relations, and how on the other hand, participants in these festivals engage individually and collectively with physical space(s) to create places which they experience as meaningful in terms of identity and belonging.
Locating the canon in Tamworth: Historical narratives, cultural memory and Australia’s “Country Music Capital”
by Sarah Baker
co-authored with Alison Huber. Accepted for publication in Popular Music (forthcoming 2013).
This article concerns the regional city of Tamworth, NSW, Australia, a place that prides itself on its reputation as... more This article concerns the regional city of Tamworth, NSW, Australia, a place that prides itself on its reputation as Australia’s home of country music. The authors consider the ways in which stories surrounding country music’s past are produced and circulated in a city which seems determined to record, memorialise and narrate a coherent and public narrative about its country music heritage. The paper focuses in particular on some of the processes through which certain aspects of Australian country music’s history become dominant or canonical within this narrative.
Festival connections: people, place and social capital
by Linda Wilks
Co-authored with Bernadette Quinn, Dublin Institute of Technology
To be published in: Richards, G., DeBrito, M. and Wilks, L. (eds.) (2013 [expected]) Exploring the social impacts of events. Abingdon: Routledge
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Seen by:The Origins of the Olympic Games’ Opening and Closing Ceremonies: Artistic Creativity and Communication
The Journal of Intercultural Communication Studies, Volume 19, Issue 1, pp.103-120 (2010).
Nowadays, the Olympic Games’ Opening and Closing Ceremonies contribute greatly to, and draw from, the different... more Nowadays, the Olympic Games’ Opening and Closing Ceremonies contribute greatly to, and draw from, the different cultures in the various host cities. This paper will explore the origins of the Olympic Games’ Opening and Closing Ceremonies (OGO & CCs). The extent to which theories concerning artistic creativity and communication are utilized will specifically be examined. Historically speaking, the modern Olympic Games were adapted from the ideology of the ancient Olympic Games, which originally treated sporting competitions as a form of religious ritual. Greek people used the games as a means to communicate with their Gods; games included music, dance, and art. Interestingly, only the victory ceremonies are present in historical records; no evidence of the OGO and CCs can be found. The hypothesis that this paper will test is the notion that the OGO and CCs began with the modern Olympic Games. This study aims to answer this by conveying the initial ideas and purposes of the OGO and CC through discourse analysis. The primary data used includes the minutes of the 1906 International Olympic Committee Congress in Paris and Baron Pierre de Coubertin’s biography. The results significantly illustrate that the OGO and CC were initially associated and influenced by personal interests and cultural patterns.
Olympic Ceremony Design vs Lateral Thinking: Spectacular Creativity
Design Principles and Practices: An International Journal, Volume 4, Issue 4, pp.11-20. (2010)
The Olympic Games’ Opening Ceremony has always been a challenge among practitioners in media and installation... more The Olympic Games’ Opening Ceremony has always been a challenge among practitioners in media and installation industries. In every four year cycle, it draws a lot of international attention. The creativity and preparation of the opening ceremony must be complex, elaborate and innovative; it results in a uniqueness in each ceremony. Therefore, the ceremonies are usually unpredictable. Significantly, the ceremony is broadcast live through international media networks; however, there is only one chance to exhibit it. Mistakes can occur in the presentation, but they will not be anticipated. In order to generate this spectacular ceremony, creative thinking must be involved. I propose to apply the Lateral Thinking (Creative thinking technique), invented by Edward de Bono, as a research metaphor to analyse the Athens 2004 Olympic Games’ Opening Ceremony as a case study. It is anticipated, the results of this study will illustrate whether or not de Bono’s lateral thinking technique is applicable to approach this mega-tainment ceremony.
Les premiers festivals de musique à Caen (1844-1877).
Publié dans Festivals, rave parties, free parties - histoire des rencontres musicales, sous la direction de Nicolas Benard, janvier 2012.
Entre 1844 et 1877, une longue série de festivals est organisée à Caen. D’abord prolongation des grands concerts... more Entre 1844 et 1877, une longue série de festivals est organisée à Caen. D’abord prolongation des grands concerts annuels organisés par la Société philharmonique du Calvados, ces manifestations prennent une nouvelle forme à la fin du Second Empire dès lors qu’elles sont prises en charge par la Société des beaux-arts de Caen, structure proche du pouvoir municipal. D’abord réservé à l’élite urbaine (à la fois auditrice et actrice des concerts), le festival se « démocratise » pour suivre l’air du temps. Symbole de cette nouvelle orientation, Jules Pasdeloup (fondateur des Concerts populaires de musique classique) dirige certains de ces évènements. L’élargissement de la base sociale de recrutement du public et des musiciens représente à lui seul une petite révolution dans le monde musical local. Il ne s’accompagne pas, cependant, d’une transformation totale du festival. Sur le plan musical, celui-ci reste fortement marqué par un répertoire consacré par la monarchie de Juillet. Sur le plan politique, il est – durant toute la période étudiée – un moyen pour asseoir Caen dans la position de capitale régionale capable de rayonner à l’échelle nationale.
A study of stakeholders in reference to the production of performing arts festivals: the case of the “Music Village”.
Zifkos, G. (2011) 'A study of stakeholders in reference to the production of performing arts festivals: the case of the “Music Village”'. M.A. dissertation, University of Leeds.
Festivals are dependent entities which are brought about and sustained by individuals or groups of stakeholders who... more Festivals are dependent entities which are brought about and sustained by individuals or groups of stakeholders who perform - collaborate and compete - towards the attainment of their own objectives. Festivals, thus, as “synergistic group processes” have recently been at the centre of interest among scholars in the field of events/arts management, in particular, the study of their stakeholders. Many of these studies, however, have been theoretical and rather descriptive, lacking organisational modelling. The present study aims to develop a conceptual framework, as well as a stakeholder network model, in relation to actors involved in the production of performing arts festivals. A case study will be employed in order to identify and categorise the stakeholders of the Music Village festival as well as explore their relative importance, from a managerial perspective, as a tool to draw meaningful implications for festival management research.
Hosting Horn Stars: HONK!TX and Hospitality
Completed for a sophomore undergraduate class. Will continue development towards a master's thesis.
Hospitality is a sacred obligation that counts among humanity’s oldest customs. Since ancient times, hosts have been... more Hospitality is a sacred obligation that counts among humanity’s oldest customs. Since ancient times, hosts have been called to recognize the divinity of visitors and ensure guests receive food, drink and shelter, asking nothing in return. Drawing on brass band culture and engaging the public through the medium of alternative community street band performances, HONK! festivals invite musical exploration and celebration for free. Musicians travel at personal expense and, in return for the free public performances they offer, they receive food, drink and shelter from local volunteers. This report explores this unique intersection of modern ethnomusicology and hospitality anthropology, and will describe the organization behind, and experience of, hosting 195 visiting community street band musicians during the inaugural HONK!TX festival. Ultimately, it attempts to answer the question: why do volunteers open their homes to strangers?
DEL FESTIVAL A LA ACADEMIA. Informe sobre la institucionalización de una disciplina híbrida (arte digital)
Este documento es un borrador.
Publicado posteriormente como un capítulo en 'Exploraciones creativas. Prácticas artísticas y culturales de los Nuevos Medios' (2010) Barcelona: EdiUOC
Con el objeto de ahondar en el proceso de institucionalización, diseñamos una investigación empírica que permitiese... more Con el objeto de ahondar en el proceso de institucionalización, diseñamos una investigación empírica que permitiese visualizar las tendencias discursivas y ámbitos de actividad de las prácticas relacionadas con las intersecciones entre arte, ciencia y tecnología. La metodología consistió en la implementación de tres bases de datos que recogen la actividad de los últimos años en relación a: 1) los congresos (y festivales asociados) realizados a nivel internacional 2) las publicaciones académicas y divulgativas centradas en este ámbito interdisciplinar 3) los programas académicos.
Festivals of Moors and Christians: Performance, Commodity, and Identity in Folk Celebrations in Southern Spain
by Maria Johanna Christina Krom
Published in the Journal of Mediterranean Studies, 2008, Vol. 18: 1.
Festivals of Moors and Christians are celebrated in great profusion in Southern Spain. These festivals, combining... more Festivals of Moors and Christians are celebrated in great profusion in Southern Spain. These festivals, combining religious ceremony and secular entertainment, are widely divulged in books, newspapers, on the Internet, and on local and regional television. The number of festivals is growing each year; celebrations fallen in disuse are revived and new ones are created. While continuing to rally the local population as a focus for the expression of identity, in the last few decades, many of these festivals have also become the object of processes of commoditization and heritagization, and a focus for identity politics. Based on fieldwork and literature research, the essay analyses the festival in its contemporary form, from the perspective of performance, arguing that the performative character of the celebration constitutes the foundation for both its marketability and its efficacy as an emblem of local identity.
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Seen by: and 4 moreSpectacles of Ethnicity: Festivals and the Commodification of Culture among Louisiana Cajuns
co-authored with Jacques Henry
Spectacles of Ethnicity: Festivals and the Commodification of Culture among Louisiana Cajuns
co-authored with Jacques Henry
Events as entrepreneurial displays: Seville, Barcelona and Madrid
Robertson, M. & Guerrier, Y. (1998) in D.Tyler, Y. Guerrier & Robertson, M. (eds) 'Managing tourism in cities - policy, process and practice' John Wiley & Sons Inc: Chichester, p215-228. ISBN: 0-471-98315-2
Juxtaposing the Timeless and the Ephemeral: Staging Festivals and Events at World Heritage Sites’
Smith, M., Carnegie, E. and Robertson. M. (2006) in A. Leask and A. Fyall (eds) 'Managing World Heritage Sites' Elsevier Ltd. p110-124 (ISBN: 0-7506-6546-7)
The chapter explores "the complex relationship between World Heritage Sites (WHS) and temporary festivals and... more The chapter explores "the complex relationship between World Heritage Sites (WHS) and temporary festivals and events, analysing some of the impacts and implications of staging 'ephemeral' arts projects in the context of 'timeless' heritage environments' (p111). A comparative analysis is made of the WHS sites in Edinburgh (Scotland) and Greenwich (England).
Liminality in Modernity: "Alternative" Foods and Music Festivals
draft only
Music festivals and alternative food networks are examined as sites for liminality. What does the growing... more Music festivals and alternative food networks are examined as sites for liminality. What does the growing popularity of such movements reflect about society at large? This paper explores these two categories of community and what purpose they serve in the lives of their individual participants. Everyone participates in some sort of liminal activity in some capacity particularly in modernity where alienation is widespread and more and more individuals feel disenfranchised.
The Role of University Student Volunteers in Festival-based Public Engagement
by Eric Jensen
Published by the National Co-ordinating Centre for Public Engagement, University of Cambridge and University of Warwick
The growth and increasing popularity of science and arts festivals around Britain is only possible with the help of an... more
The growth and increasing popularity of science and arts festivals around Britain is only possible with the help of an army of willing, but unpaid university student volunteers. Research for the National Co-ordinating Centre for Public Engagement (NCCPE) reveals that despite the lack of remuneration, 92% of students surveyed say that they would volunteer again and 75% believe that the skills and experience they got from volunteering will benefit them in their future careers.
The research was conducted by Dr Eric Jensen at the University of Warwick working with Nicola Buckley of the University of Cambridge and explores the role of university students in festival-based public engagement. A total of 155 student volunteers and festival-organisers were questioned about their experience of student volunteering across science and arts festivals.
The findings show that UK universities are active supporters of science and arts festivals for the public. Festival organisers reported that the enthusiasm and expertise of volunteering students and staff comprised the most valuable aspect of engaging with universities in delivering their festivals.
Two-thirds of festival organisers work with universities and more than half (56%) are given access to university premises free of charge. For 60% of festival-organisers the benefit of working with a university includes access to a wide range of expert speakers and artists, and for the majority (69%), the primary benefit is access to human resource in the form of unpaid student volunteers.
The majority (55%) of festivals surveyed operated with just five paid members of staff. Seventy-five percent of the jobs performed by student volunteers provided some interaction with the public such as meeting and greeting, manning stands or discussing science, art and other topics with publics.
Sophie Duncan, Deputy Director, NCCPE said: “Festivals are an excellent introduction to public engagement for university students and offer experiences and skills that will benefit them throughout their careers. The majority of volunteers in our sample are post-graduate students, some of whom will go on to be researchers. With impact now part of the Research Excellence Framework (REF) and the value of publicly-funded universities in the spotlight, it is increasingly important for academics as well as universities to embrace public engagement. Hopefully what we are witnessing is a new generation of researchers, lecturers and future vice-chancellors that are introduced to public engagement early in their careers and remain open and enthusiastic about the mutual benefits it can bring.”
The most challenging aspect of using student volunteers in festivals is the high level of training required. A number of festival organisers have had to adjust their expectations of student volunteers’ prior practical knowledge, and now provide training at a fundamental level.
Lead researcher Dr Eric Jensen at the University of Warwick commented: “It is important for both universities and funding bodies to understand that the provision of volunteering opportunities within festivals is resource-intensive. Despite how it might seem, student volunteers are not free labour. If they are to be used most effectively staff time, training and resources are required and these activities require funding and careful planning and attention.”

