by etienne boumans
Submission to Conference on Sensualising Deformity: Communication and Constructions of Monstrous Embodiment @ The University of Edinburgh
In early modern times, dwarfs were considered deformed and, hence, socially discriminated, by average-statured... more
In early modern times, dwarfs were considered deformed and, hence, socially discriminated, by average-statured individuals as well as by other little folks we used to call 'midgets', who were conceptualized as “no freaks, no dwarfs but perfectly normal.”
We found that accounts and personal memoirs by hypopituitary little persons suggest that they perceived dwarfs as disproportionate human oddities, monstrosities with grotesque heads, arms and legs, and, therefore, belonging to a different species. Throughout the history of popular entertainment, midgets – who were preferred in show-business - were cast in a way that positively enhanced their status while dwarfs were relegated to the back stage or freak shows.
In search of social acceptance, midgets rejected their impaired self in an attempt to construct a portrayal reinforcing the illusion of normality, fabricated for their audience. This proved somewhat successful, as the public, at least partially, concurred with this fantasy of normality, although the social construction of the midget as (close to) normal rather validated the normality of the audience, eager to rationalize the socio-cultural imagery of marginalized or impaired individuals.
The spectator’s weariness to associate short-statured people to sexual behaviour may stem from a subconscious association of littleness with childishness. Traditionally, achondroplastic dwarfs were depicted as asexual, in line with the aversion of portraying sexual activity of people with disabilities; the more socially accepted midgets were represented as closely resembling the average-statured men and women with their sensuality, sexual desires and activity. In an effort of complaisance to demanding audiences, promoters frequently constructed fallacious midget couples, sometimes accompanied by a narrative involving babies or infants.
In the 1930s, movies challenged the proportional little people’s illusionary world of normality regarding sensuality and sexuality in relation to average-statured people, often portraying a – tragic - love affair between individuals from both sides.
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