Dramatic Literature

Dramatización de tres héroes mexicanos en “El juicio de Hidalgo” de Miguel Sabido

by Armin Gomez-Barrios

Publicado en la Revista de Literatura Mexicana Contemporánea, RLMC
UTEP, El Paso, Texas; Eón Ediciones; Tecnológico de Monterrey.
Número 50, volumen 18, noviembre de 2011. ISSN: 1405-2687

La dramatización de Miguel Hidalgo, Josefa Ortiz de Domínguez e Ignacio Allende que presenta “El juicio de Hidalgo” de... more La dramatización de Miguel Hidalgo, Josefa Ortiz de Domínguez e Ignacio Allende que presenta “El juicio de Hidalgo” de Miguel Sabido, recurre al discurso patriótico para consolidar su personificación como héroes de la Independencia de México, frente a su contraparte ideológica, que aquí no es la monarquía española sino la iglesia católica, cuyos integrantes se presentan como los villanos de la historia. La escenificación se distingue también por la utilización del lenguaje audiovisual propio de la televisión como recurso espectacular de la obra.

"Gothic Shakespeare on the Romantic Stage." Co-written with Robert Miles. Gothic Shakespeare. Ed. John Drakasis and Dale Townsend. Accents on Shakespeare series. Routledge, 2008.

by Michael Gamer

"Gothic Shakespeare on the Romantic Stage." Co-written with Robert Miles. Gothic Shakespeare. Ed. John Drakasis and Dale Townsend. Accents on Shakespeare series. Routledge, 2008.

by Michael Gamer

Д.Д.Николаев. Драматические произведения В.В.Набокова и драматургия русского зарубежья // 'Nabokov's dramas and dramatic works of russian emigration' by D.D.Nikolaev

by Dmitry D. Nikolaev

Published in: Acta Philologica: Филологические записки. 2007. - №1.- С.215-239

"Komicheskoje v dramaturgiji russkogo zarubegja 1920-h godov" by D.D.Nikolaev //Д.Д.Николаев. Комическое в драматургии русского зарубежья 1920-х годов

by Dmitry D. Nikolaev

Published in: Vestnik TPGU (Вестник ТГПУ). 2011. Vol. (Выпуск) 7 (109)

'Reki Vavilonskije' I.Surgucheva. Poetika i kontext by D.D.Nikolaev /Д.Д.Николаев. "Реки Вавилонские" И.Д.Сургучева: поэтика и контекст

by Dmitry D. Nikolaev

Published in: VII Surguchevskile chtenija. Stavropol. 2010.

Who was the Author of A Comedy against the Comedy, or A Lesson to Dandies? (RUS)

by Dmitri Ivanov

Кто был автором «Комедии против комедии, или Урока волокитам»? // Новое литературное обозрение. № 86. 2007.

Von Gottscheds Literarisierung des Theaters zu Tiecks literarischem Post-Theater – eine mediologische Reflexion

by Franz-Josef Deiters

published in: Groteske Moderne – Moderne Groteske. Festschrift für Philip Thomson / Festschrift for Philip Thomson, ed. by Franz-Josef Deiters, Axel Fliethmann and Christiane Weller. St. Ingbert: Röhrig Universitätsverlag, 2011, pp. 407-430.

"National Supernaturalism: Joanna Baillie, Germany, and the Legitimation of Gothic Drama." Theatre Survey 38:2 (November 1997): 49-88.

by Michael Gamer

"But it was changing," "and now I can't go back" : reflections of a changing Ireland In the work of Conor McPherson

by C. Austin Hill

My Masters Thesis

This thesis discusses the plays of Irish playwright Conor McPherson in the context of the Celtic Tiger. This study... more This thesis discusses the plays of Irish playwright Conor McPherson in the context of the Celtic Tiger. This study first seeks to clarify McPherson’s work by distancing it from that of Martin McDonagh and others that are a part of a genre called “In-Yer-Face Theatre” as coined by theorist Aleks Sierz. The study then uses Kenneth Burke’s “cluster analysis” to describe two of McPherson’s plays—This Lime Tree Bower and The Weir— as artifacts of an Irish culture that is changing in response to Celtic Tiger. Next, McPherson’s plays Port Authority and Shining City are discussed as artifacts of a changed, or “new,” Ireland, that exists at the end of the Celtic Tiger. Finally, the conclusion makes a case for McPherson’s place amongst the great writers of Irish theatre—Yeats, Lady Gregory, Synge, and Friel—because of the history revealed within the timelessness of his plays.

Famous Unknowns: The Dramas of Djuna Barnes and Gertrude Stein

by Sarah Bay-Cheng

Bernard Pomerance

by Kathryn Syssoyeva

Encyclopedic entry in Columbia Encyclopedia of Modern Drama, ed. G.H. Cody and E. Sprinchorn, Columbia UP, 2007

Steve Tesich

by Kathryn Syssoyeva

Encyclopedic entry in Columbia Encyclopedia of Modern Drama, ed. G.H. Cody and E. Sprinchorn, Columbia UP, 2007

Mac Wellman

by Kathryn Syssoyeva

Encyclopedic entry in: Columbia Encyclopedia of Modern Drama, ed. G.H. Cody and E. Sprinchorn, Columbia UP, 2007

To the Palace of Wisdom?: Ultraviolence in 1990s Drama

by David Kilpatrick

Loco Motion: Railway Perception, Relativity and the Stage

by Kyle Gillette

" A Hole in the Paper Sky": Psycho-Scenographic Rifts in Pirandello's Henry IV

by Kyle Gillette

Shakespeare's Continuity

by Dianne Hunter

15th International Conference in Literature and Psychology, St. Petersburg, Russia, July 1998

HAMLET and TWELFTH NIGHT represent contrasting responses to grief: the comedy reverses the tragedy by imagining a... more HAMLET and TWELFTH NIGHT represent contrasting responses to grief: the comedy reverses the tragedy by imagining a surviving daughter miraculously recalling a lost son, setting the pattern of continuity-through-the-daughter in Shakespeare’s last romances.  In the psychic struggle between death and survival that marks Shakespeare's period of mourning at the turn of the Tudor century, a Shakespearean daughter-figure dispels grief and shows the way to continuity, opening the way to Marc Norman’s creation of the fictional Viola de Lesseps as Shakespeare’s muse in the 1998 film SHAKESPEARE IN LOVE.

On the Russian Comedy Canon in the First Half of the 19th Century: Griboyedov or Shakhovskoi? (RUS)

by Dmitri Ivanov

Проблема канона русской комедии в первой половине XIX века: Грибоедов или Шаховской? // Пушкинские чтения в Тарту 5: Пушкинская эпоха и русский литературный канон: К 85-летию Ларисы Ильиничны Вольперт: В 2 ч. Тарту, 2011. Ч.2.

Inventing a Fishbowl: White Supremacy and the Critical Reception of Lorraine Hansberry's A Raisin In the Sun

by Robin Bernstein