by Andrew Wenaus
Science Fiction Studies #113 = Volume 38
This article examines how Jeff Noon grafts concepts from chaos theory to literature in order to develop a playful... more
This article examines how Jeff Noon grafts concepts from chaos theory to literature in order to develop a playful narrative form appropriate to representing multiple ontological levels. I argue this by looking closely at the roles of form, metaphor, and content in Noon’s stylish debut novel, Vurt (1993). The novel’s movement from order to disorder and finally towards a new order suggests that the structure of Vurt may operate mimetically according to the vision of reality proposed by chaos theorists. In this way, Noon experiments with literary form by reinterpreting the narrative spaces of virtual reality through the metaphors of fractal geometry, a spatial phenomenon that so delighted the popular imagination at the time of the novel’s publication. I explore the relationship between metaphor and content through the trope of conflict between order/chaos and meaning/hopelessness, and by applying Douglas Hofstadter’s theory of consciousness and his concept of the paradoxical “strange loop.” These tropes may cast light on the complexities of the characters’ intense desires for transcendence and how the form of the novel itself makes this ambivalent quest difficult, if not impossible. Accordingly, chaos functions not only as a reminder of the turbulence inherent in human experience but also of the exciting aesthetic possibilities this theory extends to literature.
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