The Middle Eastern Geodatabase for Antiquities (MEGA): An Open Source GIS-Based Heritage Site Inventor y and Management System
by David Myers
Co-authored with Alison Dalgity. Published in Change Over Time, Volume 2, Number 1, Spring 2012, pp. 32-57
The emergence of new digital technologies and rapidly spreading Internet access together present possibilities for... more
The emergence of new digital technologies and rapidly spreading Internet access together present possibilities for widely accessible, Web-based national information systems for the inventory and management of heritage sites. The increasing development of open source software tools further provides that such systems may be purpose-built, adaptable, and extensible to the needs of specific situations, and that once developed they can be available to heritage authorities, which are often poorly funded, without associated licensing or upgrade fees.
Working collaboratively with the Jordanian Department of Antiquities (DoA), the Getty Conservation Institute (GCI) and World Monuments Fund (WMF) have developed MEGA-Jordan as a tool to inventory, monitor, and help conserve and manage the thousands of archaeological sites in Jordan. MEGA-Jordan allows DoA officials to address needs such as infrastructure and development control and the development of national and regional research strategies. MEGA-Jordan is Web based, bilingual (Arabic-English), and was developed using state-of-the-art and open source information technologies. It was designed to be modular and easily extensible, allowing it to evolve with the DoA's changing institutional requirements and to be adapted by other countries. The MEGA-Jordan system is available online at www.megajordan.org. Work on an Iraq version of MEGA is slated to begin after the Jordanian system is fully deployed, and will include the system's expansion to contain data for the protection of historic buildings. The GCI and WMF plan to subsequently make the system available for adaptation by other countries.
(1994) Mégalithisme expérimental au C.A.I.R.N
Published in :' Les sites de reconstitutions archéologiques. Actes du colloque d’Aubechies, 2-5 septembre 1993'. Archéosite d’Aubechies, 1994:53-57.
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Seen by:Industrial Archaeology in Victoria Stage 2, 1997.
by Gary Vines
unpublished report 1997
A number of bodies have recorded and classified industrial heritage sites in Victoria over several decades, but the... more A number of bodies have recorded and classified industrial heritage sites in Victoria over several decades, but the systems used are highly inconsistent. This study documents the various heritage lists, registers and classification suystems, identifies electronic databases, analyses the cataloguing and categoriesing systems in use and shows how they could be integrated. It proposes using the English IRIS system as a starting point for systematic listing of industiral heritage and industrial archaeology in Victoria (and elsewhere)
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Seen by:Sharing Ancient Wisdoms: developing structures for tracking cultural dynamics by linking moral and philosophical anthologies with their source and recipient texts
Extended abstract. Accepted for Digital Humanities 2012, Hamburg, Germany. Co-authored with Charlotte Tupman (lead author), Mark Hedges, Charlotte Roueche and Stuart Dunn.
Introduction to extended abstract (see PDF for full extended abstract):
The Sharing Ancient Wisdoms (SAWS)1... more
Introduction to extended abstract (see PDF for full extended abstract):
The Sharing Ancient Wisdoms (SAWS)1 project explores and analyses the tradition of wisdom literatures in ancient Greek, Arabic and other languages, by presenting the texts digitally in a manner that enables linking and comparisons within and between anthologies, their source texts, and the texts that draw upon them. We are also creating a framework through which other projects can link their own materials to these texts via the Semantic Web, thus providing a ‘hub’ for future scholarship on these texts and in related areas. The project is funded by HERA (Humanities in the European Research Area) as part of a programme to investigate cultural dynamics in Europe, and is composed of teams at the Department of Digital Humanities and the Centre for e-Research at King's College London, The Newman Institute Uppsala in Sweden, and the University of Vienna.
Comparing the informatics of text and Cultural Heritage: the SAWS project
Draft abstract. Co-authored with Stuart Dunn (lead author), Mark Hedges and Christophe Storz. Full paper to appear in Proceedings of Computer applications and quantitative methods in Archaeology 2012, Southampton, UK
Most textual analysis in archaeology has focused on the digitization and retrieval of secondary or tertiary... more
Most textual analysis in archaeology has focused on the digitization and retrieval of secondary or tertiary literature. This means that there has been little examination of how the use of methods of marking-up and linking primary material culture can be used to inform primary textual analysis, and vice versa, despite many conceptual similarities. Like archaeological contexts, discrete and philologically significant sections of manuscripts require skill both to identify and to record, and defining them using quantitative means is not always easy. Like text editors, archaeologists link pieces of related information. For example the Harris Matrix describes links between contexts, and the stratigraphic sequences between them. Database management systems have long been used to link information about artefacts and features across sites, and to enable cross-searching. More recently, semantic-oriented approaches such as the CIDOC CRM and Semantic Web have been used to link defined entities of archaeological or cultural heritage information identified by URIs and described and linked using controlled standards such as RDF. This paper will examine the use of such standards and methods in archaeology, and focus on their transference to defining and linking related units of text in original manuscripts, using primary textual case studies from Sharing Ancient WisdomS (SAWS). SAWS comprises three teams, at King's College London, The Newman Institute Uppsala in Sweden, and the University of Vienna. The aim is to present and analyse the tradition of wisdom literatures in Greek, Arabic and other languages. Throughout antiquity and the Middle Ages, anthologies of extracts from larger texts, containing wise or useful sayings (gnomologia) were created and circulated widely, since few complete texts were available in manuscript form. Focusing on original manuscripts of gnomological texts (not editions), SAWS uses a bespoke TEI XML schema to mark up individual segments identified by expert editorial intervention. These include (for example) translations of individual sayings, derivations from a saying in one tradition to another, references to the same subject across traditions, authorship of sayings, and so on. Segments are then linked according to their significant properties, described according to an ontology that extends the CIDOC CRM, and linked using RDF.
The parallels with archaeological information and sequencing are thus pronounced. It is possible to regard such segments as artefacts, albeit of textual, rather than material, nature. While it would be facile to impose a straight metaphor of ‘textual artefacts’ on this material, the theory that they are connected in complex ways owes much to material culture, and the latter’s language provides clues for deeper interrogation: what typologies and common attributes can be applied to segments, how do these evolve over time, can one class of gnomic saying be demonstrated to have evolved in response to (and/or under the influence of) another. This paper will provide concrete examples from SAWS to demonstrate how the combination of XML, RDF and CIDOC are being employed; and thus delve deeper than existing secondary literature approaches to archaeological text mining, by comparing methodologically the informatics of complex primary texts with the informatics of cultural heritage.
Things We Value
published in 'Interactions' 18:1 (January-February 2011), 17-21.
The article inaugurates the 'On Heritage' Forum that I edit for ACM Interactions. 'On Heritage' aims to offer and... more The article inaugurates the 'On Heritage' Forum that I edit for ACM Interactions. 'On Heritage' aims to offer and promote a rich discussion at the intersection of art, performance, and culture that expands the boundaries of HCI, while broadening our understanding of how things of the past come to matter in the present. Submissions are welcome!
On Pause and Duration, or: The Design of Heritage Experience
BCS HCI Conference 2011, July 6-8, Newcastle, UK.
This paper investigates ‘pause’ and ‘duration’ as conceptual resources to expand current design approaches to place,... more This paper investigates ‘pause’ and ‘duration’ as conceptual resources to expand current design approaches to place, technology, and experience in museums to the extended temporality of heritage practice. The author strives to understand ‘through design’ how we come to value objects, places and events through multiple and repeated interactions. In doing so, the author contributes to expand the boundaries of interaction design beyond individuals acting ‘in the moment’ (pause) to individuals and communities participating ‘across time’ (duration) in the cultural production of memory and identity.
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Seen by: and 15 moreScientific Archaeological Publications in the Digital Era
Papre in the Proceedings of the conference "The Present Situation of Scientific Publications in Archaeology, Arts and Folk Traditions", 20-22 February 2004, Athens (Proceeding's title in Greek, content in Greek, English and French)
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Seen by: and 1 moreThe Presence of Visitors In Virtual Museum Exhibitions
Cite as: C. Dallas, “The presence of visitors in virtual museum exhibitions”. e-Museology: International scientific electronic journal, 4: Performativity, interactivity, virtuality and the museum (2007), 5-18. Available: http://museology.ct.aegean.gr/articles/2007125111457.pdf
Virtual museum exhibitions, based on digital representations of cultural objects arranged in diverse descriptive,... more Virtual museum exhibitions, based on digital representations of cultural objects arranged in diverse descriptive, narrative or interpretive structures, are an emerging example of a new form of communication between cultural heritage institutions and their publics. These virtual exhibitions become particularly interesting in an era marked by the "dematerialisation of culture", i.e. by a marked shift from viewing heritage as a thing to viewing it as a cultural mode of production, constituted by the interaction between collecting institutions (and their increasingly undermined authoritative voice), objects and publics. In this paper, we examine the way and the extent to which the category of visitors is constituted (and represented) in the user interface rhetorics, the information content and the interactive functions provided by selected examples of recent virtual museum exhibitions; we present a broader view of heritage based on the notion of community memory; identify formal and technological possibilities in further activating multivocality and dialogue, in line with recent museological thinking; and, suggest an analytical framework for further investigation. We conclude that the current generation of virtual exhibitions constitutes a small step towards the emergence of a more dialogic, interactive, living relationship with the past.
