Comparative Literature

CDA:a Comparison of Contemporary Iranian and American Poetry

by Parvaneh Khosravizadeh

Co-authored with Sara Mahabadi, Published in the proceedings of International Conference on Languages, Literature and Linguistics, IPEDR vol.26 (2011)

This paper contains a comparison of a famous female poet from Iran and a well-known poet
from the USA. In this... more This paper contains a comparison of a famous female poet from Iran and a well-known poet
from the USA. In this paper issues such as the contexts they produced their work, the type of poems they wrote, and the type of audience they offered their work to, are examined. There is also an analysis of the acceptance as well as the critics of their poems and how they were viewed in the eyes of the readers who
responded to their poems. Some of the views of the contemporary scholars are given in order to give a clear view of the similarities and the differences that exist between the styles of these two poets.

El Principito

by Jorge Postlethwaite

Es un ensayo breve para un seminario de literatura de viaje e imaginacón. Es un ensayo breve para un seminario de literatura de viaje e imaginacón.

Del imperialismo político al neocolonialismo cultural: El mito de la Madre Patria y sus proyecciones mediáticas.

by Santiago Juan-Navarro

Published in Arte y Cultura en la Globalización. Ed. Carlos Borro. Buenos Aires: Editorial La Bohemia, 2008.

Seeking story: Finding the modern day folktale in the daily news

by Brandice Palmer

Misyurov D.A. Dialectical formulas based on the binary notation as the development formulas // Credo New. 2012. №2

by Dmitry Misyurov

The article suggests dialectical formulas based on the binary notation as the development formulas: formula with... more The article suggests dialectical formulas based on the binary notation as the development formulas: formula with dominant and the non-dominant elements; universal formula; formula with symbolic weight of elements; tautological formula. For example, it suggests an opportunity to use the dialectical formulas for modeling and artificial intelligence creation, etc.

Postmodernism in Estonian Literary Culture. Extract

by Piret Viires

Published by Peter Lang Verlag http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&seitentyp=produkt&pk=57928&cid=448&concordeid=260521

Postmodernism in Estonian Literary Culture explores the influence of postmodernism on Estonian culture, more precisely... more Postmodernism in Estonian Literary Culture explores the influence of postmodernism on Estonian culture, more precisely its literature. The author takes a look at how postmodernism arrived in the Estonian literary culture and how it took root there, both on a theoretical level and in cultural practices. Obvious parallels emerge with radical cultural changes in post-socialist East-European countries in the early 1990s, which were caused by social transformations. Examples of Estonian postmodernist literary texts are analysed, following the manifestations of
postmodernism from the 1950s until the beginning of the 21st century; the book also tackles ethnofuturism, popular and digital literature, and introduces a universal model which enables to determine postmodernist texts in literature.

La llegenda de la pèrdua d’Espanya segons Onofre Manescal com a creació innovadora vers el seu referent directe, Miguel de Luna.

by Oriol Miro Marti

Estudis Romànics, XXVIII, 231-248, 2006.

Sobre la necesidad de una investigación. En torno a la formación de la lengua poética española y el papel de Pietro Bembo en ella.

by Oriol Miro Marti

LEMIR, 10, s/p, 2006.

Italian, Spanish and Catalan Literature in a Comparative Perspective.

by Oriol Miro Marti

Co-author of the course. ICON-ELLEU (E-Learning per le Lingue e Letterature Europee): EU's Cultural and Educational Project for the promotion of E-Learning, Literature and Cultural studies, 2005-2006.

بیستمین همایش انجمن بین المللی ادبیات تطبیقی ()سال 2013، پاریس

by Behnam Mirzababazadeh Fomeshi

چاپ شده در
ویژه نامه ادبیات تطبیقی نامه فرهنگستان. 2/2
(پاییز 1390، پیاپی 4)
162-171

نقد مقاله: «بررسی قابلیتهای نقد کهنالگویی در مطالعات تطبیقی ادبیات

by Behnam Mirzababazadeh Fomeshi

فصلنامه نقد ادبی, دوره 4 (شماره 16) ,177-181

What's in a parade? The function of parade in East European Socialist culture

by p walsh

"The 'Passion for the Outside': Foucault, Blanchot, and Exteriority"

by Kas Saghafi

"Salut-ations"

by Kas Saghafi

Seguiremos al pendiente: Anselmo Guiú como pretexto en la obra de Guillermo Sheridan

by Raúl Bravo Aduna

Guillermo Sheridan no es sólo un académico y ensayista notable; es, también, un humorista capaz de poner en entredicho... more Guillermo Sheridan no es sólo un académico y ensayista notable; es, también, un humorista capaz de poner en entredicho la supuesta solidez de los géneros literarios y periodísticos. En este ensayo, Raúl Bravo Aduna elabora un análisis minucioso de estos rasgos de la obra de Sheridan en la figura de un personaje tan mordaz como jocoso: el reportero Anselmo Guiú.

Oedipus & Odysseus on Screen: Synthesis of Epic and Tragedy in Angelopoulos's Ulysses' Gaze

by Behnam Mirzababazadeh Fomeshi

published in the proceedings of The First National Conference on Issues in English Literature and Language Teaching: New Trends and Criticisms

Greek culture enjoys a wealthy literary and dramatic heritage, with its classic figures and characters, themes, motifs... more Greek culture enjoys a wealthy literary and dramatic heritage, with its classic figures and characters, themes, motifs and mytho-poetic reservoir. Regarded as one of the main figures of the New Greek Cinema, the contemporary Greek filmmaker, Theo Angelopoulos draws heavily on Greek mythology, epic and tragedy. His intense use of structures and themes of Greek tragedy and epic indicates his profound connection with the historical and literary reservoir of his native land. His films have been regarded as recreations of Greek mytho-poetical structure. His Ulysses’ Gaze (To Vlemma tou Odyssea, 1995) has been regarded mainly as a modern epic; however, as the present study tries to show, Angelopoulos takes advantage of two major classic forms, epic and tragedy, synthesizing Odysseus and Oedipus in the character "A". The quest motif in this film, as the article argues, is both a Homeric and Sophoclean one, a blend of Odyssean journey and Oedippean exile which Angelopoulos shows in his protagonist's journey. Focusing on this point, the article analyzes the way Angelopoulos develops a modernized synthesis of two classic genres of epic and tragedy.

Mario Tobino e le arti figurative alla luce del Diario inedito

by Primo De Vecchis

Published in «Rivista di Letterature moderne e comparate», vol. LXII, fasc. 3, 2009, pp. 317-40.

Pasolini e l'India: gli stracci, la pura visività della parola scritta e le città morte

by Primo De Vecchis

Published in »Otto/Novecento», a. XXXIII, n.1, Gennaio-Aprile 2009, pp. 181-96. Published in »Otto/Novecento», a. XXXIII, n.1, Gennaio-Aprile 2009, pp. 181-96.

What symbols

by Dmitry Misyurov

This article contains 12 questions about the symbols. What are your thoughts in response? This article contains 12 questions about the symbols. What are your thoughts in response?

Regarding Paintings. Works of El Greco in Simon Vestdijk's Het vijfde zegel

by Odile Heynders