Baroque Art and Architecture

Rembrandt - Life and Works (Ρέμπραντ - Η ζωή και το έργο του)

by Athanasios Papakostas

ΣΥΜΜΕΙΚΤΑ. Collection of Papers Dedicated to 40th Anniversary of the Institute for Art History, Faculty of Philosophy, University of Belgrade (Edited by Ivan Stevovic), forthcoming May 2012

by Ivan Stevovic

Malerier på papir: oliekitser fra Lambert van Haven's samling

by Mikael Bøgh Rasmussen

Small-scale catalogue of an exhibition in cooperation with Jan Garff in 1995 at The Prints and Drawings Collection at the National Gallery of Denmark.

Politischer Zeichengebrauch im barocken Rheinland. Zeremoniell und Repräsentation bei den Kurfürsten von Köln und den Reichsstädten Köln und Aachen, in: Barocke Herrschaft am Rhein um 1700. Kurfürst Johann Wilhelm II. und seine Zeit, hrsg. v. Benedikt Mauer, Düsseldorf 2009, S. 37-73 .

by Andre Krischer

O demônio na obra de Manuel Bernardes (1644-1710): problemas de História Religiosa

by Philippe Sartin

Arhitektura Trsćansko-riječke privilegirane kompanije 1750.-1828.

by Petar Puhmajer

In: Doba modernizacije 1780. - 1830. : more, Rijeka, Srednja Europa (ed. Ervin Dubrović), Muzej grada Rijeke, Rijeka, 2006, pp. 28-43.

Zgrada Zakmardijeva sjemenista u Varazdinu-projekt, izgradnja, tipologija

by Petar Puhmajer

In: Peristil - zbornik radova za povijest umjetnosti, no. 54, 2011, pp. 151-160.

Palaca Zagrebackog kaptola u Varazdinu

by Petar Puhmajer

In: Radovi Instituta za povijest umjetnosti, no. 33, 2009 ; pp. 163-178.

Gradska svjetovna arhitektura baroka

by Petar Puhmajer

In: Slavonija, Baranja i Srijem: vrela europske civilizacije, Vol. II (ed. Vesna Kusin, Branka Sulc), Ministarstvo kulture Republike Hrvatske, Galerija Klovicevi dvori, Zagreb, 2009, pp. 358-365.

Pročelja pavlinskog samostana u Lepoglavi

by Petar Puhmajer

In: Radovi Instituta za povijest umjetnosti, no. 32, 2008, pp. 151-166.

co-authored with Teodora Kučinac

Rembrandt’s “Anatomy Lecture”: Dutch Culture in Civic Portraiture

by Tabbetha Atyeo

Dalla spiaggia di Nettuno. Difese dello Stato ecclesiastico in età moderna. [From Nettuno's Beach. Defenses of the Church's State in Modern Age]

by Piero Cimbolli Spagnesi

In: CAPERNA, Maurizio (editor). Il forte di Nettuno. Storia, costruzione e restauri. ROMA: Gangemi Editore. 2006; pp. 70-86. ISBN 978-88-492-1180-1

Carlo Maderno in S. Pietro: note sul prolungamento della basilica vaticana. [On Carlo Maderno and St. Peter: Notes on the Extension of the Vatican Basilica]

by Piero Cimbolli Spagnesi

In: QUADERNI DELL’ISTITUTO DI STORIA DELL’ARCHITETTURA, vol. 25-30 (1995-97) (Atti del convegno L'architettura della basilica di San Pietro. Storia e costruzione, Roma, 7-10 novembre 1995). G. Spagnesi editor; pp. 261-268.

Slezské souvislosti výstavy Brno v době barona Trencka (in English: Silesian connections of the exhibition "Brno during the era of baron Trenck")

by Josef Kovar

Author: Kovář, Josef Jan
Published in: Jesenicko. Vlastivědný sborník, Jeseník, Vlastivědné muzeum Jesenicka a Státní okresní archiv Jeseník, 2010, pp. 74-76.
Language: Czech.

This review describes a major exhibition in Brno (Land of Moravia, Czech Republic) which was devoted to Franz von der... more This review describes a major exhibition in Brno (Land of Moravia, Czech Republic) which was devoted to Franz von der Trenck, a legendary Austrian soldier, commander of infamous Pandur Regiment and a hero of the Silesian wars in the 18th Century. Major part of this exhibition was devoted to paintings, sculpture and applied arts in Brno of the 18th Century. The review is focused on the Silesian connections of exhibition.

Una nueva obra atribuida a Urbano Fos

by Borja Franco

Archivo Español de Arte. Autores: Ximo Company, Borja Franco e Isidro Puig

Urbano Fos fue uno de los mejores representantes del Barroco valenciano. En este estudio atribuimos a su pincel un... more Urbano Fos fue uno de los mejores representantes del Barroco valenciano. En este estudio atribuimos a su pincel un lienzo inédito de gran calidad. Se trata de una magnífica representación de San Pascual Bailón. Con nuestra investigación hemos demostrado sus filiaciones técnico-artísticas y resaltado aquellos aspectos por los que se popularizó su pintura.

Der inszenierte Blick auf das Gnadenbild und zwei „verletzten“ Figuren in der Zisterzienser­klosterkirche Grüssau im 18. Jahrhundert

by Grażyna Jurkowlaniec

in: Sehen und Sakralität in der Vormoderne, eds David Ganz and Thomas Lentes, Berlin: Reimer 2011, pp. 200–217 ‹KultBild, 4›

More info and table of contents:
http://www.reimer-mann-verlag.de/controller.php?cmd=detail&titelnummer=101314&verlag=4

Language Beyond Metaphor: The Structural Symbolism of Borromini´s Sant´Ivo alla Sapienza

by Noe Badillo

Presented at ¨The Cultural Role of Architecture¨, University of Lincoln, England; will also be a chapter in the conference publication "The Cultural Role of Architecture," edited by John Hendrix, Jane Lomholt and Paul Emmons, Routledge Press. This publication is due to be out in January 2012.

The architectonic relationship between language and structure is an aphoristic concept; one in which grammar and... more The architectonic relationship between language and structure is an aphoristic concept; one in which grammar and vocabulary act as descriptive elements through which an edifice is interpreted. In understanding the nature of the ecclesium, the language of architecture becomes philogenetically rooted in religious scripture. The theological foundations of Sant'Ivo all Sapienza point to a transpositional element that exists between the linguistic structure of scripture and the construction of architectural spaces. Consequently, Francesco Borromini's method of architectonic expression embodies arcane mystical concepts. The interpenetration of such ideas with the church as aedificium is found in the relationship between Borromini's knowledge of craft and design, and the esoteric theories of the Jesuit scholar Athanasius Kircher. The hexagrammatic geometry of Sant'Ivo's central design makes theological reference to the Seal of Solomon, while other features make reference to Solomon's Temple, The First Temple of Jerusalem. Within the book of Kings, there is a specific passage that becomes a clue into the symbolic connection of the two architectural structures, brought forth through a kabbalistic interpretations of the Hebrew language known as Gematria. Through an understanding of Gematria, the language of scripture is thought of as something beyond a method of description; it becomes a cosmological framework by which the Solomonic meaning of Sant'Ivo alla Sapienza is interpreted.

Nuevas aportaciones a la iconografía de los instrumentos musicales en la pintura de Francisco Ribalta

by Borja Franco

Le decorazioni di Palazzo Valdrighi-Sabbatini

by Vincenzo M. Buonocore

Arquitectura clasicista en Burgos: noticias documentales de la obra de Pedro Díaz de Palacios en San Pedro de Arlanza (1629-1659)

by Eduardo Carrero